A Day at the End of 25 Years(2020)

Survival of the Film Freaks(en)

Survival of the Film Freaks is a documentary exploring the phenomenon of cult film in America and how it survives in the 21st Century. Through interviews and fan events, the documentary will trace decades of film fanaticism up to the present, where the 'digital age' has transformed the way we experience movies.

Mapocho(en)

A visual journey through the Mapocho river.

Terminal City(en)

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

Tribute to Leopoldo Mendez(es)

Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico

I'm Thinking a lot of Thoughts Right Now(en)

Four friends embark on a journey to California where they discover the beauty of friendship amidst the stunning landscapes of the West.

Bodybuilding(de)

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.

A Landscaped Area Too Quiet for Me(es)

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Bouddi(en)

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

Xulia(es)

Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.

Landscape (for Manon)(en)

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Don't Look Back(en)

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Still Life #02(xx)

Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the intangible: the digital image. It manages to embody the pixel and carve it with a chisel; to explore its physical nature through direct intervention.

Cellular Immune Response(en)

On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he bought a stack of audiotape secret telephone recordings of marital infidelity from 1969. At the Women’s March, he recognized the cosmic resonance of the phone with all that was happening.

Burial Pyramid(en)

Mendieta, Ana: Burial Pyramide, Yagul, Mexico.

Mémoire entre deux rives(fr)

Moby Dick(he)

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

Bike Against The Wind(en)

Mark Vashro travels by bicycle from Boston to San Diego through the southern regions of the United States. As he travels, he meets fascinating people and asks them how they ended up where they are. He meets Dave, an alcoholic from Virginia who is trying to reach his family in North Carolina. A woman in New Orleans who used to be an acclaimed designer in New York but realized it wasn't the right life for her. A fisherman living in a self built, single room house in the marshes of Louisiana, wondering how the oil spill will affect his life. These people along with amazing experiences and scenery tell a story of great adventure and human experience.

Karl's Perfect Day(en)

A day in the life of Swedish poet Karl Holmqvist.

Monument(en)

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

From Napoli With Love(en)

Luca lives for pizza. In an attempt to create a documentary about the cultural exchange between Neapolitan and Windsor pizza, the Covid-19 pandemic diminishes any hopes of flying to Italy and exploring his cultural background. With an infinite amount of free time, (and a hunger for pizza), Luca and his twin sister, Gemma, aim to save the documentary.