Suspension: The Ultimate Body Experience(1999)

El Cuerpo del Escándalo - Un film acerca de Natacha Voliakovsky(es)

Deep Rooted(en)

A short Documentary about Tattoo Artist Dustin Stephenson and his Struggle´s to survive during the first COVID-19 Pandemic in Summer 2020.

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

The Story of Skinhead(en)

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

The Moments We Lived(ja)

After working as a reporter and an assistant at a radio station, Watanabe Yoshimitsu, former leader of the bosozoku gang Black Emperor, returned to his old stomping grounds and began to make a film about bosozoku. At the time, he was 21. The teenage members of the bosozoku group, also known as " Thunder " would get into their revamped motorbikes and cars and race around the city. With the police as their enemies, they ran from patrol cars and did other defiant acts. They would put on outlandish clothing and, as a result of fights with rival groups, were very loyal to other members of their own gang. Every Saturday, they would cruise around, vanish and reappear throughout the entire night with no particular goal. However on 1 December 1978, because of provisions in the new highway transport law, the end was at hand for their " season of running wild. " The film shows them simply continuing to run wild on this last night before the law is to take effect.

My Dinner with Abbie(en)

Ex flower child goes looking for revolutionary hero and finds a brilliant no-quitter with a good appetite.

LowMovie(pt)

White Terror(de)

A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.

Patutiki the Guardians of The Marquesan Tattoo(fr)

First-time feature filmmakers Heretu Tetahiotupa, Christophe Cordier delve into the ritual art of Marquesan tattoo, sharing its cultural and historical significance by reenacting the past and challenging the present.

Like It Is(en)

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Night Lunch(en)

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

When DEADBUG Met The Duke(en)

DEADBUG meets with VIolent J (Joe Bruce) of Insane Clown Posse (ICP) and discusses his career and life.

Working Class(en)

Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.

An Amazing Time: A Conversation About End of the Road(en)

Documentary about the 1970 film, "End of The Road."

Crumb(en)

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Not for the Faint of Heart(en)

A documentary about the extreme films released from the 1970's-today with interviews from the creators.

Chicago 10(en)

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

1991: The Year Punk Broke(en)

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Keith Haring: The Message(en)

Keith Haring: The Message was released in conjunction with the Keith Haring retrospective at the Museum of Modern Art in Paris. Directed by famed designer, Madonna stylist and Haring confidante Maripol, The Message goes pretty deep into both the artist and the city and times he’ll forever be identified with: New York City, circa the 1980s. The focus, as the title indicates, is upon the “struggles that animated” Keith Haring’s work, his activism – in a word, his “message.”

Style Wars(en)

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.