Edible Water Bottles(2020)

El primer día(es)

At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.

Antiporno(ja)

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Bloodlust(de)

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.

Dogs Smell Like the Sea(ru)

You know, it's like having a dog, and it chooses someone else as the owner, not you. And as soon as the "other" rings the Bicycle bell, the dog, happily wagging its tail, rushes to catch up with him. And you follow her. It turns out that for him, too. But you can't say anything: just stand there and breathe in silence to the beat of the waves.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

The Happy Accident(es)

Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Truth(en)

3 minute experimental film.

Suicide Sequence 3D(en)

5 minute experimental film.

Don't(en)

10 minute experimental film.

The Illiac Passion(en)

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

1st Time 16mm(pt)

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

Tetsuo II: Body Hammer(ja)

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

A Field of Honor(en)

An ex-soldier encounters many dangers in the small town he lives in.

Ciervo(es)

An emotionally haunting and visually beautiful experience, ‘Ciervo’ tells the story of a young girl who holds violence, submission, and independence in an uneasy balance as one morphs into the other.

Closed Vagina(ja)

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

Black and White Trypps Number Four(en)

Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.

Trypps #5 (Dubai)(en)

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

GOOD-BY ELVIS and USA(ja)

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

The Function of Cinematographic Orgasm(tr)