A documentary on the precarious lives of the koolbari, who carry goods on foot across the mountainous borders from Iran's northwestern Kurdish region.
On stage since she was a toddler, Googoosh has been an icon of Iranian pop culture since the 1970s. Her progressive style and raw singing talent attracted worldwide acclaim and saw her performing alongside the likes of Tina Turner and Ray Charles. But the star's career came to an abrupt halt after the Islamic Revolution, which banned women from singing in public. Googoosh was placed under house arrest, where she remained for the next two decades. Niloufar Taghizadeh's documentary, which includes interviews with the charismatic singer (now in her seventies, but still performing and advocating for women and girls) and arresting archival footage, offers both a loving portrait of a national icon and a fascinating historical and cultural record of Iran.
In the 1990s, fearing persecution from the Turkish government, about 2,000 Kurdish refugees of Turkish nationality came to settle in a suburb of Tokyo. Here live Ohzan (18), Ramazan (19) and Memet (38). This documentary focuses on these three young Kurds in Japan.
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
As the United States and Iran are locked in a battle for power and influence across the Middle East—with the fear of an Iranian nuclear weapon looming in the background—FRONTLINE gains unprecedented access to Iranian hard-liners shaping government policy, including parliament leader Hamid Reza Hajibabaei, National Security Council member Mohammad Jafari and state newspaper editor Hossein Shariatmadari. In this report, FRONTLINE examines how U.S. efforts to install democracy in Iraq have served to strengthen Iran's position as an emerging power in the Middle East.
Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."
The Last Days of Winter is an Iranian television documentary series directed and written by Mohammad Hossein Mahdavian, which aired on IRIB TV1 from 28 September to 6 December 2012 for 10 episodes.
In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.
In September 2022, a 22-year-old Iranian woman, Mahsa Amini, died in police custody. She had been arrested by Iran’s religious police, accused of not wearing her hijab properly. The authorities said she had died of a heart attack, but rumors spread that she had been beaten on arrest. Citizens took to the streets in their thousands in fury. This is an extraordinary and shocking insight into what has been happening across Iran, revealing a regime under huge pressure and resorting to extreme cruelty to control its citizens.
Wali, an ex-sniper, leaves Canada to fight the Islamic state. He meets two Americans: Rebaz and Zyrian. One is a veteran of the war in Iraq. The other is a homosexual idealist. They meet the Kurds, a welcoming people. Together, they will confront the fanatical Islamic terrorists. Beside Heroes, an uncensored documentary that tells the tale of three volunteer fighters who realized that to change the world, you have to act.
All The Eyes is the story of the lives of children whose geographical determinism has created obstacles for them to achieve their dreams. Children who live in one of the most deprived areas of Iran: Kotij, a city of 6,000 people in Balochistan.
The Journey of a young man who is making a documentary about forgotten narratives around an old piano, takes him through an unknown path towards restoring history, culture and identity of his homeland, Iran, in dusty and abandoned objects.
Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.
This documentary was written with passion and love for cinema, and on the other hand, he blamed her. Our fictional character for this documentary talks about her passion for cinema and how it affected her life and recounts the decades that passed on the cinema one after the other.
The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.
The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.