Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 54 international awards From Vegas Movie Awards,Global Shorts( Los Angeles),Best Film Awards (US),Gold Star Movie Awards (US),LA Sun Film Fest,International Short Film Awards (US),One-Reeler Short Film Competition (US),Global Music Awards (GMA),Accolade Competition (US), Berlin International Art Film Festival and many other events.
Actor
Actor
A member of a music group
A member of a music group
A member of a music group
Through the lives of professionals working at Tsukiji Fish Market in Tokyo, the film portrays how Tsukiji has been the center of fish culinary culture and helped Japanese food culture to flourish as we know it today.
Pato, is a woman who must face her way, while struggling with the memory of a miscarriage. Lupita is a teenager looking for her place in the world.
México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.
A Documentary/Mockumentary that follows the story of Charlie who is passionate for farming.
A retrospective of Days Gone's history; from its announcement through its initial release and beyond. Days Gone: PlayStation's Not So Hidden Gem explores the video games life span including its critical reception, developments and why it may have been treated unfairly when it launched.
Pinhead is set loose on the sinful streets of New York City to create chaos with a fresh cadre of Cenobitic kin.
A 1970 projection of what may come when pollution over powers nature.
Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.
The educational documentary film Music of Yarsan: A Living Tradition is an investigation into the variety of muscial practices in the life of the Kurdish Ahl-e Haqq people of the Guran region, in the Kermanshah province of Iran.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
A group of animators pitch “The Unlucky Rabbit” to Walt Disney, a documentary about how his earliest creation, Oswald The Lucky Rabbit, was forgotten to time.
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.