We Came to Heal” follows H.O.L.L.A!’s Healing Justice Movement - over a three years period capturing Healing Justice circles, the Healing Justice Summits and H.O.L.L.A!’ s human healing-centered praxis led by The Youth Organizing Collective (Y.O.C). We believe to move towards healing you need to create a space to build, to grow, and share our stories. Alone we are strong spirited, but together we are unstoppable in the fight to end all forms of violence in our Nation, our families and all relationships.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
He may be the most underrated rap star and producer in the world. He is a pioneer of urban music, beginning his career in the streets of Compton and responsible for the sale of over 85 million records worldwide. Never before has DJ Quik allowed access into his personal and professional life... until now. Go behind the scenes with all access footage, including Quik's personal home videos, tour footage, studio and much more, along with such hits as "Born and Raised in Compton," "Tonight," "Trouble" and many more. Go step by step through his personal creative process, allowing fans access into his signature style, along with appearances by Suga Free, Hi-C, Nate Dogg, El Debarge, Butch Cassidy, Chuckey, and a moving tribute to Mausberg.
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Prejudices, ignorance, and racism still leave their mark on the everyday life of black Germans, respectively Europeans, until today. How do Afro-Germans deal with their history? Which colonial-racist patterns still shape our society today? With insights into various historic epochs, it is made clear that THE history of the Black people does not exist. And neither exists THE history of white people.
A short documentary covering the racism towards black people in Arab societies. Covering race, blackface, colourism and censorship. Featuring Ismail Kushkush, a Sudanese-American journalist and Mariam, an Egyptian-American online blogger.
Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.
Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.
In the eighties comes from overseas powerful, unstoppable, the wave of hip hop. Few years later the rap music begins to take roots in Italy with the firts album in 1990. Thus began a golden age that from the undergrowth of the counterculture reaches a diverse audience, passing through the masterpiece of Sangue Misto, the evergreen Kaos and Colle Der Fomento, until the commercial success of Neffa, Frankie Hi-Nrg, Sottotono, Articolo 31 and the debut of a young Fabri Fibra. Then, suddenly, the dark at the dawn of the new millenium. Why? An epic, unique season of musical creativity narrated by its big players and accompanied by the voice of a talented and renowed freestyler grown up with those great musicians: Ensi. - Written by Bisi, Enrico
'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.
Til Infinity is a full-length documentary celebrating the twenty year anniversary of the critically acclaimed Souls of Mischief album, "93 Til Infinity" with over 50 interviews from notable MC's, producers and DJs. Til Infinity offers a retrospective and in-depth look at the famed Hieroglyphics crew's landmark 1993 debut album. Oakland California filmmaker Shomari Smith interviewed the entire Hieroglyphics collective while traveling across the country to capture intimate dialog with hip-hop notables.
"Rasist, Javisst?" is a Swedish documentary film from 1993 about the conflict between young Swedish nationalists and immigrant teenagers growing up in the suburbs of Stockholm. The film was shot during the whole of 1992 and culminated in the riots on the 30th of November 1993, after which date the authorities prohibited the nationalist demonstration in the centre of Stockhom.
Follows in an unconventional way the journey of 'ISH', a former Miami based rapper, who traveled to Africa to visit family. Little did he know that Libreville Gabon would be the place where the project of his dreams would fall on his laps. Against all expectations the alchemy born between him and 2 local beat-makers would lead to the making of a potential first album. Written and Directed by Marc A. Tchicot and Franck A. Onouviet, the film captures glimpse of great encounters and musical moments between people from opposite backgrounds driven by the same passion: music. 'The Rhythm of my life' belongs to the new generation of short films, which combine fiction and documentary style. Deeply grounded in the line of non formatted and guerrilla style independent projects, the rhythm of my life set a different direction for film-making in Gabon and Africa.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
Eleven college students from different backgrounds participate in a retreat to discuss their experiences of race and racial prejudice. The circle is facilitated by Lee Mun Wah.