An abstract journey through the unconscious in transition of a protagonist stretched out on the asphalt, on a Sunday
An abstract journey through the unconscious in transition of a protagonist stretched out on the asphalt, on a Sunday
2021-04-20
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Qual a cor da bandeira?
A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
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How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my the chest, not only a heart but also longing? That's why I record you this: for us to continue.
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At the conclusion of the "Trilogy of the Tie" the boy has his last dream in memory of his deceased beloved.
A childlike soul runs through their lives, all bound together by the same root trauma.
Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project
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A journey through the unconscious of the central character, who visits, in past colors, important signs of his life.
mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.
A young girl's odyssey intertwines with a luminescent guide, casting light on her path through life.
A depressed man contemplates the imminent end of the world.
An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.