Everyday states of being and decay are observed through the infinite scope of the cosmos and the restorative light which emanates from it, driving cinematic and photographic impulses.
Woman
Everyday states of being and decay are observed through the infinite scope of the cosmos and the restorative light which emanates from it, driving cinematic and photographic impulses.
2021-09-10
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"Wyspa R.O" is a highly personal story about freedom, fate and love as well as Lenica's personal creative testament. The allegorical story, full of symbols and the author's quotes, tells of a secret corner of the world which was once inhabited by convicts, where only one lonely guard remains. Lenica was one of the most important creators of Polish poster art and his films have been honored at many international festivals.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.
How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my the chest, not only a heart but also longing? That's why I record you this: for us to continue.
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project
mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.
A young girl's odyssey intertwines with a luminescent guide, casting light on her path through life.
A depressed man contemplates the imminent end of the world.
An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.
Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.
Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.