Birds singing. Alarm clock. Coffee. What’s next? A trip outside? Or a trip inside? This film is a breathing meditation, wrapped in the disguise of a feather-light experimental drawing animation.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Life drums the playfulness out of a boy as he grows up.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.
A 3D visual vapor release by James Webster.
A line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way.
A marxist-leninist-maoist revision of the Allegory of the Cave, filled with talking animals who shall be late and bourgeois queens who would like to see you without head, exactly as Plato intended.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.