1936-01-01
0
0.0Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
7.0Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
0.0Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.
3.0Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
5.8I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
5.8A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
0.0An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
0.0Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
0.0A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.
7.9La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
0.0Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.
0.0Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
7.5Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
0.0The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.
A splice-less, text soliloquy acknowledging an unknown, random audience of one I'm sharing this film with. Originally shot in b&w, the digital version has gone pink. Super-8, silent. - Joseph Bernard