The surviving 14 minutes of the original documentary about the Villas Boas expedition to the Amazonian tribes in Brazil.
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Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.
In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.
All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
This documentary, produced by the Mazzaropi Institute, shows movie scenes, testimonials of researchers, historians, intellectuals, and popular artists. As a bonus, it shows parts of Mazzaropi's last appearance on TV, on Hebe Camargo Show.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
The optical company Bausch & Lomb of Rochester, New York, contracted Watson and Webber to create this corporate industrial film to showcase the company’s extensive catalog of lenses and other optical instruments, displaying their practical applications in industry and everyday life. The Eyes of Science easily straddles the fields of avant-garde and industrial filmmaking, making both a fascinating object of form and style, as well as a highly educational, entertaining, and informative piece of film and industrial history.
This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, it turned into one of the last independent movie theaters in the brazilian south due to its steadfast owner, who refused to let his family business die out.
A KISS FOR GABRIELA tells the story of a remarkable woman named Gabriela Leite. An activist for sex workers’ rights for over 30 years, Gabriela was the first sex worker to run for Brazilian Congress. The documentary presents an intimate portrait of her 2010 campaign when she faced 822 opponents and challenged a male dominated political system. Combining an observational style with unrestricted access, it explores what it means to be a prostitute, to be a wife, and most importantly, what it means for a woman representing one of the most stigmatized populations in the world to run for office. Gabriela’s charisma and amazing history of activism engages audiences and encourages them to reflect critically on laws and policies that restrict the rights and possibilities of women like Gabriela globally. For women like Gabriela who make history and challenge stereotypes with their campaigns, it is not whether they win or lose, or even how they play. It’s that they’re in the game at all.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
One of the greatest neuroscience breakthroughs is having discovered that babies are far more than a genetic load. The development of all human beings lies on the combination of genetics, the quality of the relationships and the environment they are set on. The Beginning of Life invites everyone to reflect: are we taking good care of this unique moment, which defines both the present and future of humankind?
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.