Isle of Flowers
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The De Facto Martyr Suite(fr)
Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.
Man Yuk: A Portrait of Maggie Cheung(xx)
Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.
Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Do Útero Ao Túmulo(pt)
Stravinsky(en)
This documentary is an informal portrait of the great modern composer Igor Stravinsky. Proudly American, though still very much an Old World figure with a long and alert memory for people and events in music, literature and art, Stravinsky is depicted here conducting the CBC Symphony Orchestra in a recording of his Symphony of Psalms.
Burnt. Land of Fire(it)
This short documentary captures life in Filippa di Mesoraca, a little village in Calabria in southern Italy. Inspired by the migration of young people to the cities of the north, "Grigio. Terra bruciata" ("Burnt. Land of Fire") tells about what's left in the village and how the older people live the last years of their life. Just like elderly faces ravaged by time, the walls of the unfinished houses decay slowly, returning to nature. This film is about a place that transformed alongside the people who live there.
Fiori, Fiori, Fiori!(it)
Luca Guadagnino left for Sicily from Milan to knock on the doors of his childhood friends and discuss with them their experience of this exceptional moment, which has united the entire world.
The Poet of the Castle(pt)
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
The Master of Apipucos(pt)
Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
Fordlandia Malaise(pt)
Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.
Zapata's Path(es)
A playful and original vision of the indelible mark left by Emiliano Zapata.
The Corporation(en)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
School of Fine Arts. Juniper Landscape(ru)
About the tragic fate of the Estonian artist Julo Sooster and his work.
Larisa(ru)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
USA: danger from the right. Demoniac from Wisconsin(ru)
Professor Valentin Zorin, political observer of the USSR State Television and Radio Broadcasting, talks about Joseph McCarthy, an American politician, a senator from Wisconsin, who held an extremely anti-communist position, who advocated an intensification of the Cold War with the USSR. The name of McCarthy is associated with a reactionary trend in the political life of the United States of the early 1950s, dubbed "McCarthyism" and consisted in the persecution of people only suspected of sympathizing with communism and not committing any crimes.
Our Cinema(ru)
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The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.
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