Our God's Brother(1997)

Bishop vs. Rook(sh)

State security inspector Ivan reveals an inserted terrorists in Yugoslavia, sent there by Croatian emigrants, enemies of the above socialist state. Their mission is to select the appropriate places on Adriatic coast which they would later blow up. The terrorists are expected to set a series of explosions that would cause a public disturbance and uncertainty in the Yugoslavia's position in Europe. Ivan follows Pavle and Elsa who are staying in Croatia as tourists, stepping into action in a crucial moment.

А почему так?(ru)

Red(te)

When civil engineer Siddharth is arrested for a murder on the basis of a pictorial evidence, cops discover his lookalike Aditya and realize they have only 48 hours to solve the case.

Johan Falk: Blood Diamonds(sv)

GSI follow up a weapon trail that leads right into Kavkaz mafia headquarters on the west coast. GSI member Niklas Saxlid is the one in the group who is specialized in undercover operations, and he has penetrated Kavkaz' activities. But suddenly something happens and Niklas disappears.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Ma and Pa Kettle Back on the Farm(en)

The Kettles leave their ultra-modern home and return to the country looking for uranium. Ma and Tom's mother-in-law, Mrs. Parker, fight over whether their grandchild will be raised "hygiencially."

Blue Boy(en)

A coming of age drama set in Texas, about a suburban teen boy, estranged from his family, who enlists the help of his dysfunctional friends to become a professional motorcycle racer.

Atlas Shrugged: Part II(en)

The global economy is on the brink of collapse. Brilliant creators, from artists to industrialists, continue to mysteriously disappear. Unemployment has risen to 24%. Gas is now $42 per gallon. Dagny Taggart, Vice President in Charge of Operations for Taggart Transcontinental, has discovered what may very well be the answer to the mounting energy crisis - found abandoned amongst ruins, a miraculous motor that could seemingly power the World. But, the motor is dead... there is no one left to decipher its secret... and, someone is watching. It’s a race against the clock to find the inventor and stop the destroyer before the motor of the World is stopped for good. A motor that would power the World. A World whose motor would be stopped. Who is John Galt?

Dresden Oktober '89(de)

Highway Battle R×R(ja)

After suffering a crushing defeat against the new CBA-R35, Koji takes his GT-R32 and trains hard in hopes of taking back his racing crown.

Fight Club (Russian version)(ru)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Tracey Emin C.V. Cunt Vernacular(en)

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

The Screwball(it)

Achilles, a Hulot-like factotum for an evening newspaper, travels around looking for a scoop in the Milan of the "economic miracle."

Much Ado(en)

Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.

Ces jours heureux(fr)

Dangai: Illusion(ja)

Kyoichi, a small-time drug dealer for the yakuza, has recurring nightmares about two men raping him. Once his real-world problems escalate, people around him start dying in horriffic ways and he finds it increasingly difficult to tell dreams from reality.