Early work of the celebrated director.
Early work of the celebrated director.
1978-01-01
7.083
A famous retired opera singer reunites with her children.
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
Starring Shaheizy Sam and Zizan Razak, the film follows two policemen, Khai and Sani, who have very different personalities. However, they have to put aside their differences when they have to work together in a mission to defeat a drug trafficking syndicate.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
An American gangster of Swedish origins returns to his homeland to set up shop as a morality crusader, much in the manner of the later phenomenon of televangelists. While indulging in behind-the-scene shenanigans including rape and murder, the gangster (played by American Clu Gulagher) preaches to large audiences, using mass hypnotism and show-biz razzmatazz to get his message across. The film also features a brief performance by Per Oscarsson, following his highly publicized "retirement" from screen acting.
Based on Julia Franck's novel which retraces the journey of a woman who, after the WWII, is ready to do anything to start a new life. Helene, a central character with many faces, shares life between two men, two worlds far from being alike
Italy, 1959. A ten-year-old boy called Guido enters a Catholic seminary, fascinated by the idea of becoming a priest. He quickly understands that in order to be a good seminarian he has to submit to an ascetic and unnatural training, consisting in mortification of the flesh, obsession with sin and repression of one's sexual instincts and desires. Guido finds himself up against a deeply hierarchical system, where strict observance of rules and blind obedience to superiors are taught. A system in which thinking for oneself is forbidden.
Billy and Sheena visit their Uncle Harold on an island in the Caribbean, but while exploring under water they find something terrible lurking deep below the sea.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Drama set in an Italian prisoner of war camp during World War 2, where a group of British soldiers find their plans for escape thwarted by a mysterious traitor in their midst.
Based on a true story of sexual abuse between siblings.
The film was produced by Nick Higgins from Lansdowne Productions and Noémie Mendelle from the Scottish Documentary Institute and has 10 film-chapter directors for each of the 10 chapters of the film. The film's unifying theme is human rights in Scotland with each chapter illustrating one of the "New Ten Commandments" - 10 articles chosen from the Universal Declaration of Human Rights. The 10 film chapters of The New Ten Commandments 1. The Right to Freedom of Assembly - Dir, David Graham Scott 2. The Right not to be enslaved - Dir, Nick Higgins 3. The Right to a fair trial - Dir, Sana Bilgrami 4. The Right to freedom of expression - Dir, Doug Aubrey 5. The Right to life - Dir, Kenny Glenaan 6. The Right to liberty - Dir, Irvine Welsh & Mark Cousins 7. The Right not to be tortured - Dir, Douglas Gordon 8. The Right to asylum - Dir, Anna Jones 9. The Right to privacy - Dir, Alice Nelson 10. The Right to freedom of thought - Dir, Mark Cousins & Tilda Swinton.
Daniel Gelin plays a soldier who is acquitted after committing a crime of passion. Relocating to Lisbon, and still feeling remorse over his impulsive killing of his faithless wife, Gelin manages to find love in the form of gorgeous widow Francoise Arnoul. Alas, it turns out that Arnoul has a sordid past of her own, leaving our hero sadder but wiser.
A most unusual love story unravels when the objects in a young man's pockets come to life.
Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on May the 30th, 1985 at the El Círculo Theater in Rosario, Argentina. PROGRAM: 1. Vea esta Noche; 2. Serenata Tímida; 3 . El Zar y un Puñado de Aristócratas Rusos...; 4. Una Canción Regia; 5. Truthful Lulu Pulls thru Zulus; 6. El Valor de la Unidad; 7. Les Nuits de París; 8. Pasión Bucólica; 9. Las Majas del Bergantín; 10. Bolero de los Celos; 11. Marcha de la Conquista and; 12. Cuarteto Opus 44. The 'Mandocleta' instrument was presented for the first time during this show. Recorded live at the Colón Theater in Bogotá, Colombia, on April 12, 1986. Numbers 11 and 12 were recorded earlier at that same theater on November 8, 1981. This is the last recorded appearance by Ernesto Acher with Les Luthiers.