The Snowball Rolled South(2018)

Arada(de)

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Cuban Rafters(es)

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

Our Algeria(ar)

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

American Herro(en)

American Herro is the remarkable story of a young Kurdish girl who comes to America as a refugee from Iraq and lives out the American dream. 30-years later, traveling the globe working for Condoleeza Rice, U.S. Diplomat Herro Mustafa invites her first American friend, filmmaker Kirk Roos, to visit Iraq and retrace her steps to freedom.

Goodbye My Love, NK(ko)

Where you are born is called “hometown”. What do you call where you are buried? A story about 8 North Koreans who went to Moscow Film School in 1952, and sought political asylum in 1958 after denouncing KIM Ilsung. Their lives as Koreans and as filmmakers are captured through images from Moscow to Kazakhstan.

The Lebanese Burger Mafia(en)

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

Community of Parting(da)

The world like a jewel in the hand: unlearning imperial plunder ii(en)

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

Irpinia(en)

Irpinia follows the journey of young West Indian dreamer Dudley as he makes his way to England in the 1960s. At 24 years old, Dudley boarded a ship named Irpinia in search of a better life in England, the so-called motherland. Now 86, Dudley reflects on the exciting journey at sea and the harsh reality that lay ahead of him.

The Dawn is Too Far: Stories of Iranian-American Life(en)

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

The Real Eve(en)

The made-for-cable documentary film The Real Eve is predicated on the theory that the human race can be traced to a common ancestor. The mitochondrial DNA of one prehistoric woman, who lived in Africa, has according to this theory been passed down from generation to generation over a span of 150,000 years, supplying the "chemical energy" to all humankind.

The Heroes of the Massacre River(ht)

The Heroes of the Massacre River is a powerful documentary that chronicles the stories of the pioneers behind the construction of the historic Canal of Ouanaminthe, a project that united Haitians across the nation and the diaspora. This film celebrates the groundbreaking efforts of key figures, centering on Dr. Bertrhude Albert, Dr. Naismy-Mary Fleurant, architect Wideline Pierre, economist Etzer Emile as well as dedicated canal workers Milourie Sylfrard, Theodore Johnson and Joseph Pressoir — all guided by the investigative journey of Max Angie Clervil. It also serves as a commentary on the complexity of colonialism and borders, tracing the role that the Massacre River continues to play in the history of Ayiti.

We Never Left(en)

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

Razões Africanas(pt)

Jeronimo(en)

Born to Korean immigrant parents freed from indentured servitude in early twentieth century Mexico, Jerónimo Lim Kim joins the Cuban Revolution with his law school classmate Fidel Castro and becomes an accomplished government official in the Castro regime, until he rediscovers his ethnic roots and dedicates his later life to reconstructing his Korean Cuban identity. After Jerónimo's death, younger Korean Cubans recognize his legacy, but it is not until they are presented with the opportunity to visit South Korea that questions about their mixed identity resurface.

"Some Kind of Funny Porto Rican?": A Cape Verdean American Story(en)

The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.

Ôrí(pt)

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Diasporama: Dead Air(cn)

An average of 60,000 people emigrated from Hong Kong each year in early 1990s. An absolutely personal and biased sampling of this diaspora from an insider/outsider perspective just before the 1997 handover. Based on the personal experiences of individuals from Hong Kong in 1990s, Diasporama is an experimental documentary that addresses issues of the diasporic condition. In a series of intimate interviews that explore the relationship of the personal and the political, Yau Ching confronts notions of nationhood, identity, and post-colonialism. Inserting her own face and voice as a form of mediation, the artist herself becomes one of the subjects.

Exile: A Myth Unearthed(en)

This feature documentary looks at new evidence that suggests the majority of the Jewish people may not have been exiled following the fall of Jerusalem in 70 AD. Travelling from Galilee to Jerusalem and the catacombs of Rome, the film asks us to rethink our ideas about an event that has played a critical role in the Christian and Jewish traditions.

Where are the African Gods?(en)

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.