The Heroes of the Massacre River

From the Black Earth(en)

From the Black Earth is a collaboration between Bristol based company Cables and Cameras, and a local farmer Humphrey Lloyd. Employing both lucid speakers and poetic camera work, the film poses stark questions such as; why does food poverty exist in a nation of plenty, and why are people of colour so under represented not only in our countryside and farms, but in the environmental movement more broadly? By giving a platform to people of colour who are connecting with nature and working the land, this short documentary starts to unpick these questions...

Learning To Grow(en)

Paul and Lindsey, a couple who left the hustle of city life for country life. From caring for animals to sustaining the land, their journey is filled with challenges, heartwarming triumphs, and a deep connection to nature. Discover how they’ve redefined what it means to live a meaningful life.

Abegweit(en)

A day-to-day record of the construction of the Confederation Bridge linking Prince Edward Island to the mainland, Abegweit reveals some of the innovations that made this mammoth project one of the most impressive engineering feats in Canadian history.

Oravská priehrada(sk)

Honba za hektary(cs)

Ghosts of Cité Soleil(en)

In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret army of President Jean-Bertrand Aristide. "Ghosts of Cité Soleil" is a film about Billy and Haitian 2pac. Two brothers. Gang Leaders of the Chiméres.

"An Untitled Film" by George Alshevskij-Jones(en)

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Secrets of the Empire State Building(en)

Ka Ho‘ina: Going Home(en)

Ka Hoʻina documents members of Hui Mālama I Nā Kūpuna O Hawaiʻi Nei's final repatriation of over 140 sets of iwi kupuna and provides an intimate look into the legacy forged by these committed and passionate few, ensuring that Hawaiians will mālama or care for kupuna for generations to come.

Land and Freedom(en)

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

La banlieue, c’est le paradis(fr)

In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.

Lydia Bailey(en)

A young Boston lawyer, Albron Hamlin, goes to Haiti in 1802 to find Lydia Bailey, whose estate he must settle. The island is war-torn in the strife between Toussaing L'Overture, the black president, and the French who are trying to retake possession of the country. Hamlin finds Lydia and, against the background of war and rebellion, they fall in love while helping the Haitians against the French.

Statues Also Die(fr)

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Les influenceurs sont dans le pré(fr)

Rebuilding the World Trade Center(en)

Chronicling the reconstruction of the World Trade Center and restoration of the New York City skyline, with a focus on the construction workers who made it happen. Thirteen cameras placed throughout the site document eight years of progress with stunning time-lapse imagery, and shadow workers every step of the way as they turn a pile of ashes into a towering testament to imagination and resilience.

Billy Elliot: The Musical Live(en)

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

Les 16 de Basse-Pointe(fr)

The New World(en)

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.

Palm Trees in the Snow(es)

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

The Ants and the Grasshopper(en)

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.