An illusory meditation on the street culture of New York City, represented through a collage of overlaid events and characters that collide at chance during the filming, chemical development and digital scanning process. Through this method, the artist embraces accidents and coincidence in favor of uncontrolled artistic expression.
An illusory meditation on the street culture of New York City, represented through a collage of overlaid events and characters that collide at chance during the filming, chemical development and digital scanning process. Through this method, the artist embraces accidents and coincidence in favor of uncontrolled artistic expression.
2019-04-03
0
A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.
A lyrical portrait of an excommunicated Amish woodworker struggling with spirituality, poverty, and life as an outcast from his strict, insular community.
Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
A lyrical documentary about writer and street musician Roger Parham-Brown.
Onde Nostre is a lifestyle documentary film that shows the peculiarity of the Italian surf scene and the beauty of this sport, even in a country that's not usually considered a top destination for catching waves. With this film we intend show the passion and high level of the Italian surfers. The film is shot mainly in 16mm and super 8 and only a small part is shot digital in order to emphasize the beauty of the landscape. The film has a romantic approach to surfing. Action has a great relevance, with slow motion segments and an emotional editing. Onde Nostre also shows Italian surfers lifestyles and the endless search for good waves in the Mediterranean sea.
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.
Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.
A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.
Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and (with great humor and sensitivity) discovers the world and Africa.
The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.
A woman folds some pictures representing natural landscapes and place them into a real lanscape. Fiction and reality blur into each other.
Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. –Caryn Cline
Ring is an experimental 16mm short film. It is composed by 20 shots of 30 seconds each, of landscapes and situations following the 35,7 km of the Berlin S-Bahn Ring. An hypnotic flow of fixed shots will transform the experience of observation of the journey only through the internal rhythm, textures and composition of the shots, and where the main subject matter will be time and the present as a symbol of itself.
The "requerimiento" was a declaration by the Spanish monarchy of Castile’s divine right to take possession of the New World’s territories and to subjugate, exploit and, if necessary, fight the native inhabitants. This film explores the aesthetics of a mythological time and its archetypical creatures and materialities. Following the trajectories of a serpent and the fragment of a meteorite, "Requerimiento" develops an interwoven narration questioning human and nonhuman alterities in different epochs and cultures.
Dreamy images, often in slow motion, stirred or stirring, filmed along the banks of the Seine. Close-ups of water, blurred outdoor shots, shadows and silhouettes of people. A phenomenological portrait of the city, in a joint project with Andrea Emonds, whose voice enhances synesthetic experience.
Optically printed fragments of film I shot in the autumn months in Seattle. -JB This film was made in response to seeing some of Caryn Clines films. Caryn re introduced me to shooting my films outside. -JB