I Think You've Been Looking for Me(2018)

Today is the First Day of the Rest of Your Life(pt)

During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.

My Flesh and Blood(en)

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution(de)

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

On Putin's Blacklist(en)

Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.

To My Birthmother...(en)

Through Your Eyes(fr)

In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.

After the Dance(en)

In this funny and moving documentary, acclaimed film-maker Daisy Asquith tells the very personal story of her mother's conception after a dance in the 1940s on the remote west coast of Ireland. By exploring the repercussions of this act, Daisy and her mother embark on a fascinating and emotional adventure in social and sexual morality. Her grandmother, compelled to run away to have her baby in secret, handed the child over to 'the nuns'. Daisy's mum was eventually adopted by English Catholics from Stoke-on-Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years, until Daisy and her mum decided it was time to find out who he was. Their attempts to find the truth make raw the fear and shame that Catholicism has wrought on the Irish psyche for centuries. It leads Daisy and her mum to connect with a brand new family living an extraordinarily different life.

El Universo de la Pequeña S(es)

Three Identical Strangers(en)

New York, 1980. Three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds' joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever.

Twinsters(en)

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Wo Ai Ni Mommy(zh)

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

State Owned Children(de)

Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.

Me & You(en)

Jackie Miller adopted her son, Scott, in the early 1970s. In 2008, Scott brought his mom to StoryCorps to ask her about that decision.

Too Late(pt)

On a night like any other, Helena, a 12-year-old girl marked by troubles at home, is taken from her mother and placed into foster care. Now, she must face a new reality while waiting for a home. But with time passing and wounds still fresh, will there still be a chance for a new beginning — or will it be too late?

Meet Me On The Bridge(en)

Kati Pohler was abandoned in a market in China when she was three days old. Her parents left a note saying they would meet her on a famous bridge 10 or 20 years later. When the time arrived, it became a huge story in China, but Kati was living in America and had no idea. This is how she finally met her biological family.

Daughter of a Lost Bird(en)

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

Loyal to My Image(en)

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

Given Away(en)

What does it mean to adopted and brought up far away from your country of birth? In “Given Away,” this week’s moving new Op-Doc by directors Glenn and Julie Morey, Korean adoptees who grew up in Western countries reflect on the complicated emotional terrain that they’ve navigated in their lives. Glenn Morey was himself adopted from Korea in the wake of the Korean war, and the directors have channeled that connection to create a beautifully nuanced and emotional film. As the Moreys write of Glenn’s experience interviewing adoptees, “He has needed others like him … to help him make sense of his life. They have also helped him make peace with the universe.”

All My Fathers(de)

Jan's father is not his father at all. The directors knows this and takes this fact as the starting point for a very personal documentary film project about the search for his biological father(s).

South Korea’s Adoption Reckoning(en)

FRONTLINE and The Associated Press examine allegations of fraud and abuse in South Korea’s historic foreign adoption boom. The documentary investigates cases of falsified records and identities among the adoptions of 200,000 children to the U.S. and other countries over decades.