Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Narrator
Narrator
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
1992-04-10
0
Adoption. Mothering. Personal Identity.
In this documentary, film scholars Gerd Germünden and Noah Isenberg discuss the artistic origins of Marlene Dietrich in the cabarets of Weimar Germany and her relationship to her native country during and after World War II.
An interview about 'Shoah' featuring Caroline Champetier, who did assistant camera work on the film, and Arnaud Desplechin.
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.
Set in the heights of the Bolivian Andes, Mamachas del Ring is the story of Carmen Rosa the Champion, an indigenous woman who struggles to make it on her own in the male-dominated world of Bolivian professional wrestling.
Desperate for a job to help him support his family, Jim Norman takes a position teaching high school in the town where his brother was murdered in front of him by teenage bullies twenty-seven years before. The teens who committed the crime are long dead, but now the kids in Jim's new class keep dying and being replaced by new students who look like the deceased hoodlums.
Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.
Rajah Caruth wasn’t supposed to be a NASCAR driver. As a Black kid growing up in Washington D.C., he had no connections and little representation in the industry. Determined to fulfill his childhood dream of becoming a driver, he pursued the only path he saw available: virtual racing. He made a name for himself in the online world of iRacing, leveraging his rapidly growing talents and personal brand into a spot in a real-life race car. In the few short years since Caruth first got into a car, he has risen to NASCAR’s penultimate racing series, with his sights set at the top. This short documentary tells his story and follows him as he prepares for a bold new chapter in his racing career.
Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
In the early 80s, some bored young people in Hultsfred arrange a gig with the bands Ebba Grön and Dag Vag. It will be the starting point for what would become Sweden's biggest music festival.
It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.
A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
The camera slowly pans through a room as Smolders offers various observations and memories.
Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.