Spanish police killed four members of the Autonomous Anticapitalist Commandos in 1985. This documentary provides a narration of the murder that the State of Spain has tried to hide. There are several testimonies of family members, witnesses and experts.
Spanish police killed four members of the Autonomous Anticapitalist Commandos in 1985. This documentary provides a narration of the murder that the State of Spain has tried to hide. There are several testimonies of family members, witnesses and experts.
2017-10-24
0
In a temple in Thailand, an order of Buddhist monks are performing a ceremony for people who headed there to get re-incarnated. There, we meet Tarn, a young Thai woman who lived in the Basque Country some years ago and who is still fascinated with that region, food and culture.
'Iragan gunea Berlin' follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.
The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.
Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.
Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.
Through interviews with different people linked to the work and life of the Basque sculptor Jorge Oteiza (1908-2003), this documentary aims to unravel fundamental aspects of his work.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
A young filmmaker travels back home to Basque Country to follow three friends on a surreal nautical voyage. Riding a second-hand paddle boat, they pedal over 150km along the entire Basque coast from Hendaia (French Basque Country) to Bilbao in an attempt to rediscover their country's shoreline. However, as a paddle boat is not made for the rough Basque sea, things don't go as planned. The journey becomes a delirium with unforeseen accidents, folkloric parties, hangovers, a shaman, a funeral... Documenting the expedition of these 'sailors' on his own, the filmmaker finds himself on a parallel inner journey.
A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.
This film goes beyond being a window that shows the natural and cultural heritage of Aralar (situated in the heart of the Basque Country), it also makes the viewer reflect. The testimonies of the experts and the journey through a dreamlike world, not only make the value of this mountain range known but also make a clear call to conserve it.
The relatives of the victims of the terrorist gang ETA speak of their suffering, their fear, their loneliness; of the systematic oblivion to which they are subjected by Basque society, both by those who remain silent and look the other way and by those who, accomplices of the criminals, share their repugnant ideology and celebrate extortion, kidnapping and murder, thus contributing to perpetuating a bloody reign of terror.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.
Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
"Look for the part that's missing from this book; there, somewhere in your house it's kept. I've tried to walk as far as halfway between you and I; I can't carry on. The respect I bear for what's yours does not let me go any further", Joxean Artze.
Not unlike the travel blogs so in vogue today, this film takes us from Ereaga beach to Cape Matxitxako, treating us to an incomparable look at the beaches and towns on the way.
A peculiar in-depth reflection on the concept of homeland reflecting the atmosphere of Basque farmhouses with the participation of emblematic figures in the Basque culture of the period, like the bertsolaris (improvisers of Basque verse) Valentin Enbeita and Jon Lopategi and the Basque dancer Victor Olaeta. To avoid the censorship in place at the time, Elortza entitled the film 'Erria' (Country) rather than 'Aberria' (Homeland).