

Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.

Self

Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.
2020-01-09
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8.0A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.
0.0Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.
8.4The Kush Empire was an ancient superpower that dominated the Nile Valley and rivaled the Egyptians, and now, a new, cutting-edge investigation at a mysterious tomb could reveal the secrets of this formidable lost kingdom.
0.0The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang
0.0A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
5.1William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.
6.1This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.
7.7Recreation of facts and stories of both experts and people who met Maximilian Kolbe and were shocked by his words and actions.
6.6Six men who were sexually abused by Catholic clergy as boys find empowerment by creating short films inspired by their trauma.
0.0Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
0.0Although perhaps without foresight, Gubara seemingly set out to capture a historic picture of a city that today has completely vanished. He reveals to us the livelier place that Khartoum was before fateful circumstances turned it into a tough, surviving shell of its former self.
0.0The elder filmmaker makes a strong statement against the practices of circumcision as they performed around Africa and particularly Sudan. The film is typical of the later Gubara films which are determined to take a stand against the tyrannies that are still keeping people down. Gubara has stated that circumcision is "Nothing more than a bad habit".
0.0Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.
The film builds up a portrait of a great Sudanese film-maker, Gadalla Gubara. At eighty-seven, he is one of the pioneers of cinema in Africa. He has recently lost his sight but still continues to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood. Despite censorship and lack of financial support over sixty years, he has produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.
8.0The piercing cold of 10 below zero wasn't even a problem. In February, 2009, about 400,000 people gathered in Myung Dong for a brief meeting for a single reason. The late cardinal KIM Sou-hwan became the first cardinal in a land of poor faith. He summoned up his courage when no one took action. He practiced love as a miracle until he left us. He was a respected senior of the society beyond the religion in the turbulent times; a figure whose life had been like a fence for the disadvantaged. The late cardinal KIM Sou-hwan was ‘a great man of the era’. His passionate love is now revived on the screen.
0.0Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.
0.0Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
0.0Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.