Diaspora: Arirang Road(2019)

Blue Butterfly Effect(ko)

The small county of Seongju staged protests against the THAAD. Young mothers led protests from concerns about their kids and the exposure to radiation. Gradually, they learn the system is faulty.

Ryeohaeng(ko)

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Patriot Game 2 - To Call a Deer a Horse(ko)

Don't Cry for Me Sudan: Shukran Baba(ko)

Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.

Wolsong: Vanishing Town(ko)

Remembrance Of Yusin(ko)

Sound of Nomad: Koryo Arirang(ko)

The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang

My Love, Don't Cross That River(ko)

There lives a couple known as "100-year-old lovebirds". They're like fairy tale characters: the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other, wear Korean traditional clothes together, and still fall asleep hand in hand. However, death, quietly and like a thief, sits between them. This film starts from that moment, and follows the last moments of 76 years of their marriage.

Roots In The Wind(en)

In 1979, after the Soviet Union attacked Afghanistan, millions of Afghans were forced to leave their homeland to save their lives, and in the meantime, a huge wave of them immigrated to Iran.

Between Pictures: The Lens of Tamio Wakayama(en)

Between Pictures: The Lens of Tamio Wakayama tells the epic journey of the late Japanese Canadian photographer Tamio Wakayama who decides to join the Student Nonviolent Coordinating Committee (SNCC) in the deep south during the 1960’s American civil rights movement. Learning the art of dark room photography along the way, this transformative moment in time allows him to confront his own identity and return ‘home’ to the west coast of Canada to begin a body of photographic work that continues to celebrate, re-present and document the spirit of Japanese Canadians who resided in the former Paueru Gai/Powell Street neighborhoods.

Don't Cry for Me Sudan(ko)

A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.

The Lebanese Burger Mafia(en)

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

To Kill Alice(ko)

Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.

Our Algeria(ar)

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Arada(de)

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Cuban Rafters(es)

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

Twinsters(en)

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Gureombi, The Wind is Blowing(ko)

The story of the ancient and sacred Gureombi Rock. The story of the people of Gangjeong Village who rise up against the construction of a US/Korea Naval base on their holy and precious land. The winds of peace, like the winds of Jeju Island, are blowing.

Project Cheonan Ship(ko)

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.