Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
Experimental animation/live-action short by Dušan Vukotić
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
A short-animated film interpreting famous war photographer Don McCullin's contemplation on his professional experience and impact it had on his life. Frame-by-frame Charcoal animation.
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
The project explores the inner struggles of the artist, the fears, anxieties and thought patterns that, to some extent, drive their existence. The artist's voice, sporadically reciting diary-like entries, guides you through a world built as a visual representation of their emotions. The resulting experience is surrealist in nature, but also deeply intimate.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A surreal, experimental, minimalistic animated film that dives into the inner recesses of creativity, imagination, longing and inspiration. Taking place from the somber point of view of a young wizard as he lives out his day, watching over a little town. Le Geniaque pays homage to Georges Melies and 1920s silent films in general.
This is the story of a thousand-year-old tree, resilient ambassador of Nature and silent witness of History. The lives of men and women slip under its fronds, often unaware of how much their existence depends on its presence. This is the story of s'ozzastru and of the generous and solid land that welcomed it. In 2021 in Sardinia, a thousand-year-old wild olive tree burned. This fire devasted 70.000 acres of land and houses. Thousands of animals died, suffocated or burned alive.A year later, the tree sprouted again, becoming a symbol of resilience. Every year, around the world, 7 millions of acres of land are destroyed in over 60.000 fires, almost all caused by human hand.
In a transitional state, at the threshold of consciousness // fabricating and reminiscing //embracing and escaping // all from safe distance // letting go.
For Ed Atkins, Marten’s "Evian Disease" embodies ‘flatness’ in all its weightlessness, emotional deficit and hollowness of representation. The fact that it’s completely unapologetic about it is what makes it a dangerous piece to his mind.
In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each component, from the first slice of bread to the last, is dropped dramatically from a height, before bouncing and settling into place in slow motion. Mayonnaise, then ham, lettuce, tomato, cucumber, and the final slice on top. This perfect yet uncanny choreography reads like an exaggerated, perverse take on ‘food-porn’ obsessed advertising campaigns. These sequences repeat, the sound gradually incorporates saws and machinery, echos from empty environments, pianos breaking, smashes, crashes and mechanical crescendos like jet engines alongside eerie drones, bells, and hard rummaging noises. Another piece of bread lands, some rubber baby dolls fall onto it, some brown slop, a blanket, denim jeans, some businessmen in suits, and more slop. Ketchup, then a union jack, all encased in the final layer of bread that falls to the top of the pile to the sound of a tolling bell. Infinite continuation, loop.
Impressions on the topic of plastics set to Vivaldi's Winter: blizzard, dancing moons, beats ice, sparkling silver crystals, petrified wood frozen.
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.
First part of the Trilogy of the Island in which Poli Marichal expresses and vents the anger and frustration caused by the colonial situation.
A meek office worker finds himself flung into a fantasy world as a naked muscleman. An early version of the Den character, known from the comic magazine Heavy Metal and the movie by the same name.
Hand painted, scratched animated Super 8 film examining the contradictions of the psychopathology of colonization.
An experimental animation that recalls a treacherious, winter journey across a Montréal landmark.