In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
1929-01-01
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Bacteria, viruses, but also fungi, algae, pollen, and even insects: micro-organisms thrive and circulate constantly in our sky. How can so many living beings find their way into the air and circulate? How do they survive? And what influence do they have on our lives and the living world? Biodiversity, health, climate: it is only recently that scientists have begun to understand how this discreet aerial "plankton" affects our lives and our ecosystem. But despite their many virtues, some of these micro-organisms are now threatened by human activities. With the help of experts and 3D models, this scientific investigation plunges us into the heart of a still mysterious world, and reveals the diversity and fragility of the air we breathe.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.
Cloud Cult's "Unplug: The Film" is a distillation; twelve years of songwriting into seventy minutes of acoustic performance. What remains is a shared experience of honesty and vulnerability. The songs took collective shape around campfires at the band's recording studio in the woods of Wisconsin and took stage at the Southern Theater in Minneapolis where the concert footage was shot, along with interviews and behind the scenes footage. Co-produced by Jeff D. Johnson (Motion 117 Productions) and Craig Minowa, the film is product of an eight-year collaborative relationship- one that has worked to create a space in which band and audience sit side by side.
Earthquakes, tsunamis, volcanic eruptions, and extreme weather. Has Earth always been this way? Featuring footage of top geologic hot spots on every continent, the film traces the scientifically-based story of the 4.5 billion-year-old Earth, from the core to the crust and up into the atmosphere.
Recorded Live on August 11, 2013, KEXP and Nature Consortium presents Cloud Cult performing at Camp Long during the 15th Arts in Nature Festival.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Commissioned by the U.S. Government Defense Civil Preparedness Agency, the film describes the elements of a modern tornado warning system as was developed at the Texas Tornado Warning Conferences in 1953 and included radar detection of tornadoes, a spotter network, and improved communications between the U.S. Weather Bureau, spotters, and public officials to better disseminate warnings to the public. In the 1960s TV changed the way tornado safety and preparedness information was disseminated and this film is likely a product of that development. This film opens with vignettes of people in a small town somewhere in America’s suburban midwest. It then goes on to display the moments before and after the onset of a tornado and informs the audience of appropriate safety response measures.
In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?
The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.
Datho (Merab Ninidze) has been innocent in prison for many years. When he comes home nobody wants him. His angelic wife Elene (Anna Antonowicz) has fun with a fire-eater. The two children imagined the father as a hero, not as a sorrowful knight. But everything changes when Datho can freeze his enemies in the bathtub or he calls for rain so that they remain stuck in the mud.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.