
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
2016-10-20
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Mary Field edits the time-lapse photography of F. Percy Smith to show the life cycle of ferns and related plants.
10.0A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
10.0A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.
10.0Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
0.0HEY KITTYS LOOK! YES! It's time for kitty's favorite show...VIDEO CATNIP! We'll start with some fun and games for you and your human, then go right into the "Cats Only" part of the show. So get ready for some CAT-A-CLYSMIC fun with NO PAWS in the action.
5.0Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.
7.6A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
0.0A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.
A cinematic foray into nocturnal nature, where numerous nocturnal animals are in search of prey: From midnight to 4 a.m., the camera observes bats and other nocturnal creatures.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
7.6Liz Bonnin introduces a cast of charismatic animals to reveal the remarkable strategies they use to survive, and even thrive, through the winter.
0.0Documentary about bears where the animals were filmed completely undisturbed.
0.0Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”
Filmmaker Warren Harrison captures the memories and experiences of people who grew up as part of a unique community at Greatham Creek, a salt-marsh near Hartlepool in the Tees Valley. One of those who’s memories are recorded is photographer Ian Macdonald whose haunting images of the creek are used in the film along with family photographs, archive film provided by the North East Film Archive and contemporary footage.
7.9Whoever came up with the term 'bird brain' never met these feathered thinkers, who use their claws and beaks to solve puzzles, make tools and more.
0.0Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.