The Department(2021)

Likhaya(en)

A look at the rampant HIV epidemic rate in Swaziland.

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

49 Up(en)

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

What You’ll Remember(en)

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

The Salt Mines(en)

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Unconventional: Living Life to the Max(en)

Max Ramsey, an advocate for those experiencing poverty, uses what he has gone through to serve the impoverished community of Milwaukee despite internal struggles and disapproval from the city.

The Homestretch(en)

Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.

Fish Story(cn)

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

Hell(es)

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

untitled minneapolis project(en)

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Methadonia(en)

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Debt(es)

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

This is an Address(en)

Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.

La Soufrière: Waiting for an Inevitable Catastrophe(de)

Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.

Facing the Mirror(de)

A documentary about homeless people living in Switzerland.

Isle of Flowers(pt)

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Trouble Behind(en)

During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.

La face cachée de l'aéroport CDG la nuit(fr)