Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.
Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.
1934-01-01
0
It’s hard to use your loaf when you're short of dough
Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets Karin, a mysterious jazz pianist who seems to know more about him than she can know. Suddenly, mysterious deaths begin to pile up and Johannes tries to uncover the secret under the mountain.
Lucas, a sociology professor, visits the city of Rosario to give a talk. There, he meets Clara through an application that connects two people in the same city to accompany her. What initially is a simple walk from Clara's neighborhood to her work becomes the rediscovery of the relationship between a city, whose architectural heritage remains hidden between the hubbub of the city and its past.
Amelia and Abigail meet up for a nice day out as friends, but unable to hide their feelings for each other any longer they discover its not that simple
A young man losses the love of his life in a break-up. Filled with depression and feeling dead inside will he make it? Can he move on?
Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
A dramatized approach to the Argentinian writer Jorge Luis Borges (1899-1986) through the recreation of some of his works and the staging of various aspects of his thought and his life.
Yaguiné and Fodé, schoolboys who try in vain to find work to help their poor families. Lured by the symbols of Western affluence and power that surround them, the two stow away on a flight to Europe.
Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the sport is thrown into doubt when her ex-husband intervenes.
This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.
A short film showing a rehearsal and live performance by Jeanne Balibar. Costa would go on to make a feature-length documentary with the same title and subject matter in 2009.
Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.
Timothy and Gay, orphans from the slums of Boston, escape to Maine in search of a home and manage to thaw Avilda's embittered, grief-stricken heart. A charming pastoral about two unwanted children finding acceptance and love.
A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.
In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)
The film was created as a compilation of footage that was, in some cases, nearly fifteen years old, and included stock footage such as medical reels containing footage of venereal diseases and films depicting white slavery. The basic plot was a cautionary tale about a young woman's journey into prostitution and white slavery, but, like the other films of the era, the plot was secondary to the sexual content. Many of the presentations were introduced at the front door, with live nude women in glass booths at the entrances. Inside, the films were usually accompanied by a medical slideshow about venereal disease and a lecture from an alleged sexual education specialist. This was a typical presentation template for the time, and set an example for later exploiters. (Wikipedia)
Beni is an eight-year-old boy living in Korçë with his parents and leads a sheltered life. His mother is very protective and doesn't let him play outside. When Beni is able to go outside, the neighborhood children make fun of him. One day when his uncle Thomai is visiting, he sees Beni crying after the other children took his horse. Thomai decides to take Beni on horseback to a distant village where he teaches him about life and how to be a man.
After Mato Gruda, a man living in a remote village in the mountains of Albania, steals a cannon abandoned by the German invaders he has to decide whether to use the weapon to support the Partisan resistance or to avenge his family.