In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.
Himself
Himself
A documentary about how Rwandans use personal and family photographs to remember and commemorate the loved ones they lost in the 1994 genocide.
What happens when a team of mountaineers decide to climb the Riso Patron, a summit lost in Chilean Patagonia and said to be impossible ?
This documentary explores the work of Robert Doisneau, and the subjects his photographs have addressed, from the workers of the Renault factories in Billancourt to Parisian lovers, from the crowds of the Liberation to the children of Gentilly, from the unknown to the famous. The voice of the photographer, speaking of his choices and memories, and a montage of sound archives seem to comment on the photographs, which several film archives put into context. A sober and fascinating presentation of the work of a great artist.
Documentary following the career of Brooklyn-born photographer Jamel Shabazz, who captured hip-hop in its infancy long before it became a worldwide phenomenon. His iconic images of kids sporting sneakers and savvy street style caught the essence of hip-hop as it exploded onto the streets of New York. Intimate interviews with Shabazz and hip hop pioneers explore the hundreds of individual stories and urban history behind a revolutionary cultural movement.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
David Griecos documentary showcases the underappreciated photography of Domenico Notarangelo, and through it, tells the story of Matera, it's people and it's history.
What happened to the 12 million Africans stolen from their homes? Piecing together the untold story of the trans-Atlantic slave trade, a global business that thrived for centuries.
A documentary about experimental drummer Fritz Hauser.
When the snow melts and the hills of Appenzell are dotted with green and white, buckets of water slowly make their way up and down the slope. After a time, the gentle movement turns into violent swaying. Shots ring through the air, the buckets are punctured. Slowly the water begins to flow. This is the high point of a ritual that begins deep within the bowels of the mountain. Then trails of water spurt through the air to the thawing slopes and the water begins to gush, nearly causing the well in the valley to overflow.
With his grainy women's portraits, Gerard Fieret (1924-2009) managed to antagonize the entire late sixties establishment. In his mouse-infested studio he photographed his semi-or wholly undressed models as well as himself. His photographic work is increasingly recognised by collectors and museums. This documentary film by Frank van den Engel was shot during the final two years of his life. The camera shows Fieret alternately lucid and confused, stubborn and cooperative, accusing all and bemoaning his physical decline. (Summary from WorldCat)
Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.
The documentary covers fifty years inside The White House.
Memories, mirrors, madness and Memento collide in this experimental video essay focusing on the photographs and photographers in thousands of narrative films. All the Memory in the World is a stream-of-consciousness meditation on cinema, photography, identity, memory and dreams narrated by an insomniac who obsesses over images.
After the Soviet invasion of Czechoslovakia in 1968, Libuše Jarcovjáková, a young female photographer, strives to break free from the constraints of Czechoslovak normalization and embarks on a wild journey towards freedom, capturing her experiences on thousands of subjective photographs.
We followed Said Belhaj when he showed his good friend Dani Andrada around on the Swedish west coast for ten days. They climbed some of the old classic routes and also tried some of the projects the area has to offer. We tried our best to capture the spirit, surroundings and the atmosphere around their visit here.
James Roddie is a caver, climber and a professional photographer. He’s also a 30-year-old man with an eating disorder. After the death of his father, James deals with it the best way he knows how – heading underground with his camera. Delving into his story, James candidly explores why caving, adventure, and mental health are so intricately tied together.
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
William Still was one of the most important, yet largely unheralded heroes of the Underground Railroad. Still was determined to get as many runaways as he could to "Freedom's Land," smuggling them across the US border to Canada. Bounty hunters could legally abduct former slaves living in the so-called free northern states, but under the protection of the British, Canada provided sanctuary for fugitive slaves.