Launch of the Worthing Lifeboat Emerging from the Boathouse(1898)
"The Worthing Station is some distance from the shore, and whenever there is a wreck the life-boat is dragged to the scene on a huge truck drawn by eight horses. Our picture shows the life-boat responding to an alarm. The horses start out from the station at a gallop, and the members of the crew run beside the boat. This negative is unusually fine photographically."
Movie: Launch of the Worthing Lifeboat Emerging from the Boathouse
HomePage
Overview
"The Worthing Station is some distance from the shore, and whenever there is a wreck the life-boat is dragged to the scene on a huge truck drawn by eight horses. Our picture shows the life-boat responding to an alarm. The horses start out from the station at a gallop, and the members of the crew run beside the boat. This negative is unusually fine photographically."
Release Date
1898-04-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
No LanguageKeywords
Similar Movies
New York Portrait, Chapter II(en)
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Visions of Lourdes(xx)
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
New York Portrait, Chapter III(en)
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Joan Crawford's Home Movies(en)
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
Sustainable Style(en)
A look into the world of sustainable fashion with Emma Gorton-Elicott the owner of Fruit Salad, a Bristol based independent sustainable & slow fashion business. Emma discusses the difference between slow and sustainable fashion and what you can do to curate a sustainable wardrobe.
The Brontë Business(en)
Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.
Refuge(e)(en)
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Borderlands(en)
With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.
Mama's Little Devils: Bad Seeds and Evil Children(en)
Featurette on the 2009 horror film Orphan.
Incitatus(ru)
The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.
The Moscow Pilgrims(ru)
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
Finding of Color. Denis Bouriakov(ru)
This short film tells about a young, but already well-known flutist Denis Bourikov. A winner of international competitions and a scholar of the "New Names" program, in his fourteen years he traveled the world, gave solo concerts, performed in the residences of the Pope of Rome and the Patriarch of Moscow and All Russia. James Galway, one of the best flutists of the world, said about him: "Denis, without a doubt, is the most capable young musician. I believe he has a great future". Tracing the creative path of this gifted flutist, the film tries to reveal his complex inner world.
THE ROOTS OF THE LEGS(ta)
Short Documentary about political conflicts faced by a rooted generation of football players in North Madras.
Olive(en)
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.