Summer 1994, Mostar, Bosnia and Herzegovina. Two civil wars in only three years has torn the city apart and destroyed it. The town is split into a Croatian majority in the west and a Muslim majority locked in the east. An invisible wall divides the two areas. The EU appoints German social democrat Hans Koschnick as municipal administrator of the town in the hope of rekindling a sense of community there.
Himself
Summer 1994, Mostar, Bosnia and Herzegovina. Two civil wars in only three years has torn the city apart and destroyed it. The town is split into a Croatian majority in the west and a Muslim majority locked in the east. An invisible wall divides the two areas. The EU appoints German social democrat Hans Koschnick as municipal administrator of the town in the hope of rekindling a sense of community there.
1997-02-16
0
Mostar 1994-96
In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.
The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.
Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.
In this exciting documentary you'll join a small team to the Bosnian city of Visoko. They've heard of a man called Semir 'Sam' Osmanagich. He claims to have discovered huge old pyramids, a vast network of underground tunnels and an ancient tumulus. For four and a half days he guided our team around, in search of proof of his claims. The Bosnian Indiana Jones, as Osmanagich is nicknamed, promised to show our camera crew the best places. So it would be definitive once and for all that there really are pyramids in the Bosnian Visoko valley. But are there? Or is it the biggest hoax in history?
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.
Following the 2001 terrorist attacks on New York City, one item of clothing has gained a scandalous global reputation: the headscarf. All over the world, a major debate is going on about whether Muslim women should be allowed to wear the headscarf in public.
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.
A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.
A project of theatre-documentary on the Srebrenica massacre.
On 11th of July 1995, the most mortifying crimes after World War II in Europe destroyed the Bosnian town of Srébrenica. Shootings and deportations beyondimagination were preceded by a betrayal of humaity: while 40,000 civilians were looking into the sky of Srébrenica, waiting for a sign from the international community, guaranteeing their protection, the headquarters of the United Nations decided to surrender. The betrayal kill 8,372 men, women and children. Sky above Srebrenica (101 minutes) is based on protocols of the secret crisis meetings of the UN headquarters. In a unique way never before released original material of the consequences is shown next to those who are responsible for these.
Documentary which tells the story of a group of men and women who risked their lives to rescue a library - and preserve a nation's history - in the midst of the Bosnian war. Amid bullets and bombs and under fire from shells and snipers, this handful of passionate book-lovers safeguarded more than 10,000 unique, hand-written Islamic books and manuscripts - the most important texts held by Sarajevo's last surviving library.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
Between 1993 and 1995, artist and photographer Louis Jammes took pictures of people on the streets of Sarajevo under siege and gave them angelic face and wings. Then he put his huge portraits on destroyed city walls. Suddenly, it seems as life is getting back with their arrival, because they brought a sense of peace, beauty, nostalgia...
Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in refugee Centers, usually located on the outskirts of cities and villages. In such centers what should have been temporary has become indefinite. Collecting medicinal herbs or scraps from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.
Documentary about the massacre of Bosniak army committed over soldiers of Republika Srpska during 1990s Bosnian wars.