Pesceador(1984)

The Trap Door(en)

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

The Way It Is(en)

A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.

Arto Lindsay, Forgive the Beauty: The Love Factory(it)

In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.

The Ballad of Sexual Dependency(en)

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

How to Fly(en)

With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas

Only You(en)

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

Vortex(en)

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

Streetwalkin' Cowboy(en)

A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.

Visiting Desire(en)

Complete strangers meet in a room to act out their sexual desires.

Vincent Gallo as Flying Christ(xx)

The Right Side of My Brain(en)

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Put More Blood Into the Music(en)

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

Destruction(en)

The aftermath of an experience with Heroin causes a man to destroy anything within his path.

Lydia Lunch: Video Hysterie: 1978 - 2006(en)

This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

Ecstatic Stigmatic(en)

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.

A French Cigarette(en)

Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.

Be Alive Just Like You(zh)

Since Six was 18, he no longer knows what freedom is. He’s trapped in a wheelchair. His father, a taxi driver, drives him every day out to the streets to sell chewing gum. That’s how Six spends his days. Till he gets to meet a quiet girl, Noodles, who always shuts herself away in a small stationery store. Six barges into her world. He adds a touch of pheromone to the colorful but icy stationery store. Suddenly, everything becomes interesting.

Expiation(es)

A father in search of how to help his sick daughter.

Via Bicycles(en)

A father takes his two young songs to the working class neighborhood where he grew up to buy bicycles.

Weekend in the Galilee(en)

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.