Jeremy
Movie Actress
Ms. Hanimex
Secretary
Judge
Girl Friend
Dickie
Bird Woman
A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.
1980-09-01
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A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat
A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.
Two New York poets talk about art, poetry, and smoke in this French New Wave inspired short.
A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.
A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.
This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.
PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.
Complete strangers meet in a room to act out their sexual desires.
A father connects with his daughter through the sport of Softball.
When two rival basketball coaches (Kirk “Sticky Fingaz” Jones and Khalil Kain) fall out over a bad call in a championship game, things only heat up when KNight Mathews hooks up with the lovely Brooklyn Taylor (Ashley Ferrer), the cousin of his newfound rival.
Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.
Baputty goes to his friend Abdu's house after his death to support his family and falls for Nabeesa, Abdu's sister. However, Nabeesa's greedy mother tries to get her close to the rich Kunjali.
A personal portrait of the victor of Waterloo, drawing on his own vast correspondence and the letters and memoirs of those who knew him best.