Choreography for a Camera and Dancers(1968)
The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a composition by Ivo Malec "Miniatures for Lewis Carroll", and the dance is performed by the members of the Studio for Contemporary Dance who, in black suits and white surroundings, seem to float in the space captured by the eye of the camera.
Movie: Choreography for a Camera and Dancers
HomePage
Overview
The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a composition by Ivo Malec "Miniatures for Lewis Carroll", and the dance is performed by the members of the Studio for Contemporary Dance who, in black suits and white surroundings, seem to float in the space captured by the eye of the camera.
Release Date
1968-02-27
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
No LanguageKeywords
Similar Movies
Digital Edition(en)
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
Neon Genesis Evangelion: Genesis 0:0’ - The Light from the Darkness(ja)
A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.
Swinging Light(en)
An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
Traviatas(es)
Samantha, activist and octogenarian; Morgana, soprano in her 30s and Victory, influencer in her 20s. Three trans women from three different generations who have managed not only to belong but to stand out in society.
Born For This: The Tia Bee Stokes Story(en)
"Born For This" chronicles the inspiring journey of Tia Bee Stokes, a mother of five who, while battling cancer, danced for 15 minutes every day, turning her fight into a powerful testament of resilience and hope.
Emak-Bakia(fr)
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
The Many Lives of Jason Voorhees(en)
A documentary charting the rise and fall (and inevitable undead rise) of fictional killer Jason Vorhees from the Friday the 13th series, which takes in the "video nasty" phenomenon in general.
Angel Dust(en)
A documentary exploring the effect of PCP on both the user and society, with particular focus on a Los Angeles salesperson named Jack's recreational usage of the drug.
Tudo o Que Imagino(pt)
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
Death Sounds a Quiet Gong(en)
‘Death Sounds a Quiet Gong’ was originally screened at Village Works (12 St. Marks Place, New York City, NY) on October 24, 2025. The poem was first published in the inaugural release of biannual literary journal the Tough Poets Review.
An Opera of Violence(en)
First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)
Dissonant(xx)
Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.
Sweet Spot(en)
“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.
The Cut-Ups(en)
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.
The Pleasure of Love in Iran(fr)
An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.
Rescue(en)
Rescue plunges audiences into the hard, but inspiring work of saving lives in the face of a natural disaster. Behind the scenes, the film follows a Canadian naval commander, two pilots, and a volunteer rescue technician as they train for action. When an earthquake strikes Haiti, creating one of the biggest humanitarian disasters of the century, the audience is swept along, joining with the massive effort that brings military and civilian responders and hardware from around the world. Rescue is a journey of real-world disaster and emergency response captured (in 3D) with unprecedented scale and impact for the giant screen.