Roxana follows a young mother’s return to the juvenile detention center she was once incarcerated in, now as a trained somatic therapist. Through an intimate look into the lives of incarcerated youth, we will see the consequences of childhood trauma.
Roxana follows a young mother’s return to the juvenile detention center she was once incarcerated in, now as a trained somatic therapist. Through an intimate look into the lives of incarcerated youth, we will see the consequences of childhood trauma.
2018-12-12
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The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.
The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?
An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.
A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.
Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.
An inspiring journey of recovery from two very different worlds. Set against the stunning backdrop of Kangaroo Valley in NSW, a revolutionary program brings together traumatised ex-racehorses and traumatised military veterans - to help rebuild each other, and transform lives.
7 female riders, 1 van, 15 days, 4,300km, 416 GB of raw material… culminating in one video, divided into four chapters. The film documents the adventure of the trip, portraying the girls, their lifestyle and their passion for longboard.
Sisyphus is a journey through the rehabilitation of addictions in Mexico. In the absence of a public infrastructure to combat this problem, the annexes are the alternative that addicts themselves have created. The annexes are unofficial rehabilitation centers in which a method of rehabilitation thought apart from medicine or professional therapy is offered.
Reclaiming what was once stolen from him, a man journeys back to the place of his childhood nearly 80 years after his world came crashing down.
Have you ever had a dream that felt so real, you couldn't tell the difference between the real world and the dream world? On November 18, 2001, the world's biggest star, Britney Spears, brought her "Dream Within a Dream" Tour to the MGM Grand Garden Arena in legendary Las Vegas. Watch this defining concert, witnessed by millions of fans, as it was broadcast live on HBO.
The animal experience of New Year's Eve fireworks is loud and clear, even without commentary. The increasing anxiety among animals as seen through the eyes of dogs sporting GoPro cameras.
Documentary following six Americans of Japanese ancestry who were held in U.S. internment camps during World War II.
Frans Bromet ends up in the Reade rehabilitation clinic in Amsterdam after a brain haemorrhage. He soon picks up his camera and films his roommates and healthcare staff. Frans discovers how important intensive guidance is. But the bond with his fellow sufferers is also greater than expected. When he hears of upcoming budget cuts, his concerns grow about the future of the institution and therefore also about the rehabilitation process of the clients.