Attila
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Out of Mind, Out of Sight(en)
Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness. The result is two remarkable documentaries: the first, NCR: Not Criminally Responsible, premiered at Hot Docs in the spring of 2013 and follows the story of a violent patient released into the community. The second film, Out of Mind, Out of Sight, returns to the Brockville Mental Health Centre to profile four patients, two men and two women, as they struggle to gain control over their lives so they can return to a society that often fears and demonizes them.
Sylvie's Story(en)
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
Heal for Free(en)
Stay inside all the time? Never take your shoes off? Feel fatigued? You could have Natural Deficit Disorder. Learn how the earth can help neutralize the disease-causing radicals in the body, by doing something as simple as swimming or walking barefoot.
The In Between(en)
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
A Point of Return(en)
A short film portrays the events of a depressed man's day, culminating, presumably, in his suicide, though the ending is ambiguous. Afterwards, a roundtable of mental hygiene professionals and social workers examine the film, while discussing the phenomenon of suicide more broadly.
N/um Tchai: The Ceremonial Dance of the !Kung Bushmen(en)
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
In Lies We Trust: The CIA, Hollywood, and Bioterrorism(en)
Its hard to explain the full depth and breadth of the depravity of the pharmaceutical industry, the medical research industry, and the federal government. This film does a pretty good job. Hang on to your hat. The model for modern biological warfare was "discovered" during the conquest of the Americas and has been repeated over and over again.
Crumb(en)
This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.
James Bulger: The New Revelations(en)
25 years after the verdict in the Jamie Bulger murder trial, we reveal what the jury, public and press never heard, and what his two killers, Thompson and Venables, said during their time in custody from arrest to release.
The Magnitude of All Things(en)
Filmmaker Jennifer Abbott explores the emotional and psychological dimensions of the climate crisis and the relationship between grief and hope in times of personal and planetary change.
Drifting.(en)
The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?
Chasing The Lion(en)
Chasing The Lion is the story of Lionel Sanders' ascent from drug abuse and mental illness to one of the best up-and-coming long-distance triathletes in the world.
Ernie & Joe(en)
Ernie & Joe follows two officers with the San Antonio Police Department mental health unit who are diverting people away from jail and into mental health treatment — one 911 call at a time.
PTSD911(en)
First Responders sign up to serve; they risk their lives and their mental health to respond to someone’s worst day. Who will rescue them? PTSD911 is a documentary film about real people: normal, average human beings who have chosen to work in professions that require above average heroism, fortitude, and resolve. These men and women have jobs that require a willingness to face things that most of us can’t even imagine, yet maintain a high level of dignity and professionalism. First responders in fact repeatedly see and experience things that most of us will never see, causing compound issues related to post-traumatic stress injuries and disorders.
Diameter of the Bomb(en)
Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.
No Māori Allowed(en)
When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.
Leaving Beginnings Behind(cs)
In her most recent film, Linda Kallistová Jablonská observes three girls growing up in a residential facility in Počátky, Czech Republic, over the course of ten years. She explores their dreams about liberty, the reality they must face as well as their ideas about their own future families. The sequel to her first longitudinal documentary about Adéla, Denisa and Pavla captures the rocky road to independence after leaving the facility, their reconciliation with the past, job search, new relationships, small joys and big disappointments. Not only does the director draw an empathic portrait of three young girls with no-one to rely on but themselves; she also explores the ways in which public institutions form young people’s attitudes to life.