Unable or unwilling to conform to the rigid atmosphere of Washington and Lee College as a freshman, Ed bailed out after a brief stint there to attend—and graduate from—Miami of Ohio. After graduate work at UK, he left for the Left Coast, and it suited him just fine. The first stop was a writing instructorship at Oregon State, then enrollment into the Stanford Writing Program, a move shared by Jim, Wendell, and Gurney. There he cultivated, among other things, relationships with Larry McMurtry, Robert Stone, and—most importantly—Ken Kesey. Ed didn’t just experience the 1960s; he wallowed in them. Also, a bonus interview from 1996 program, Signature Live.
Self
Unable or unwilling to conform to the rigid atmosphere of Washington and Lee College as a freshman, Ed bailed out after a brief stint there to attend—and graduate from—Miami of Ohio. After graduate work at UK, he left for the Left Coast, and it suited him just fine. The first stop was a writing instructorship at Oregon State, then enrollment into the Stanford Writing Program, a move shared by Jim, Wendell, and Gurney. There he cultivated, among other things, relationships with Larry McMurtry, Robert Stone, and—most importantly—Ken Kesey. Ed didn’t just experience the 1960s; he wallowed in them. Also, a bonus interview from 1996 program, Signature Live.
1995-01-01
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Prestonburg, KY is a small blue-collar town with hunting, fishing, coal mining, and two of the biggest names in online horror talk radio: Wes Vance and Aaron Frye (aka "The Creepy Kentuckian" and "Uncle Bill") The two self-proclaimed "redneck geeks" bonded at a young age while their weekends devouring horror films. They now use their extensive horror knowledge to record a weekly podcast on DEADPIT.com and have found a worldwide audience through their candid conversation, quick wit, and lots of swearing. What started as an outlet to express their love for horror films has evolved into an online industry with millions of followers and the ability to talk to their childhood heroes. But what happens when your childhood pursuits start to collide with your adult aspirations? Can Deadpit survive it's own success?
Cryptozoologists journey into the forests of Kentucky to gather evidence of a canine/human hybrid.
This Traveltalk series short celebrates San Francisco, past and present.
In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men's Chorus embarks on a tour of the American Deep South.
Ex flower child goes looking for revolutionary hero and finds a brilliant no-quitter with a good appetite.
Surpassed only by the Bible and Shakespeare, Agatha Christie is the most successful writer of all time. We all know her characters and incredible plot twists, but what do we know about Agatha herself? Combining rare access to Agatha's family, her personal archive and speaking to those who know her work best, discover what made the world's most successful crime writer tick.
The Bridge is a controversial documentary that shows people jumping to their death from the Golden Gate Bridge in San Francisco - the world's most popular suicide destination. Interviews with the victims' loved ones describe their lives and mental health.
Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah's Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.
Powerfully and heartbreakingly detailing the challenging process that LGBTQ refugees must go through to find safety and security while starting over in the US, Tom Shepard’s inspiring new documentary profiles four people who have come to San Francisco to save their own lives. Over the course of this unforgettable group portrait, Subhi (from Syria), Junior (from Congo), and Mari and Cheyenne (from Angola) experience roadblocks and triumphs as they reflect on their respective histories and try to create a home for themselves in an environment that is not always welcoming. Once in San Francisco, they are met with setbacks but each maintains hope for a better future – Mari and Cheyenne record an album, Subhi starts a tour speaking on behalf of Syrian refugees and finds love, while Junior faces challenges of homelessness and gender non-conformance.
Italian-born Laura Huxley, a teenage violin virtuoso, played for European royalty and made her American debut at Carnegie Hall before leaving the concert stage to become a renowned psychotherapist and author. In 1956 Laura married Aldous Huxley, author of BRAVE NEW WORLD, literary giant and prophet of the 20th century.
It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.
Murder In The Front Row: The San Francisco Bay Area Thrash Metal Story. In the early 1980’s, a small group of dedicated Bay Area headbangers shunned the hard rock of MTV and Hollywood hairspray bands in favor of a more dangerous brand of metal that became known as thrash! From the tape trading network to the clubs to the record stores and fanzines, director Adam Dubin reveals how the scene nurtured the music and the music spawned a movement. Murder In The Front Row is told through powerful first person testimony and stunning animation and photography. The film is a social study of a group of young people defying the odds and building something essential for themselves. Featuring interviews with Metallica, Megadeth, Slayer, Anthrax, Exodus, Testament, Death Angel, Possessed and many more! Narrated by Brian Posehn.
Patricia Routledge, as patron of the Beatrix Potter Society, presents a documentary on the author's life and work.
A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.
Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
"Calipari & The Chicken Man" is an original documentary that tells the story of a billionaire college booster and a hall of fame coach, who's friendship led to one of the most shocking moves in the history of college athletics.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
Examines the life and career of John Calipari, one of the most polarizing figures in modern college basketball, weaving his story around that of his 2015–16 Kentucky team.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.