The Fall of the I-Hotel(1983)

Coach Zoran and His African Tigers(en)

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

Brief Tender Light(en)

At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.

Meuthen's Party(en)

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

Motel(en)

As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.

Mein Vater und ich(en)

As a Palestinian refugee, Ahmad escaped from Lebanon to Germany 40 years ago. In a conservative and strict way, he raises his six children in Berlin Neukölln. His oldest son, the filmmaker, talks to his father, interviews his siblings and tries to understand how war, escape and exile affect a human being.

The Other Side of the Wall(es)

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

Enemy Alien(en)

A Palestinian activist's fight for freedom draws a Japanese American filmmaker into confrontation with detention regimes of past and present.

Displaced Perssons(sv)

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

In a Land of Plenty(en)

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Venezuela at Home(es)

Two groups of Venezuelan dancers, while preparing for a dance battle, survive at traffic lights in the streets of Medellín. A group reflection on love, family and identity, far from home.

Slums: Cities of Tomorrow(en)

One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)

Les cèdres du Liban(fr)

Mojosito and Me(en)

An uplifting story of an immigrant and her sixteen-year-old American car, and the experiences they share. A story of perseverance, loyalty and the changes in life.

Strine Life(en)

A short film / documentary that depicts the daily grind of first-generation immigrants in Australia.

It Came From Aquarius Records(en)

IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.

In the Red(en)

A collage of live performance, intimate interviews, and cityscapes featuring San Francisco punk club Mabuhay Gardens. With Flipper's Will Shatter, The Avengers' Danny Furious, Negative Trend and more.

The Street(en)

The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.

Straight Stories, Part 1(fr)

Somewhere between documentary and fiction, this is an essay on questions of territory and human displacements made during an excursion from southern Spain to northern Morocco. Travelling on the Mediterranean rim, we hear immigrants tell their stories.

The Wild Parrots of Telegraph Hill(en)

A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.

One Big Home(en)

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.