A direct, uncompromising look into the complex machinery of Quebec’s youth protection services (known as the DPJ). https://lustitia.com/en/productions/dpj/
"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.
This third opus will take us into the homes of some of the ADAMANT and AVERROES & ROSA PARKS’ protagonists, during the visits led by their caregivers.
American states and parents in both Europe and the United States are engaging in a joint fight against digital giants to ensure their responsibility in the addiction of young people to screens and social media is recognized. Among them, five women have chosen to disrupt their daily lives: Alexis, Kathleen, Elisabet, Laure, and Socheata.
The world of hip-hop lyrics has changed, simple rhyme schemes just don't cut it. Rhymes are put under a microscope, and there is no lyrical leeway for emerging artists. This gripping documentary tells the story of Jeff Walker.
THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.
Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.
In Montreal, front-line workers work hard to provide appropriate care to the most vulnerable citizens in our society.
The prostitutes of Bombay live a nightmare life, yet there are some people who try to bring a little light into the darkness of the brothels. The film follows the lives of women in two brothels in the slums of Bombay. Some of the women are old, some are very young, but they have all been cheated into the business. And cheated out of life. For ten years now, Vinay, a social worker, has been trying to help them by saving them from AIDS and giving them some comfort. Although they are degraded and exploited outcasts, these women manage to retain some human dignity and cheerfulness. And some hope.
Three new mini-movies from the creators of Despicable Me. Orientation Day: Three freshly cloned minions go through the wacky orientation process at the evil laboratories of Gru. Home Makeover: The minions "assist" Edith, Margo & Agnes in a home makeover when they find out a social worker is going to pay them a visit. Watch the crazy antics ensue! Banana: A minion finds a banana in his lunch bag. To what lengths will the other minions go through to steal away that coveted yellow goodness?
Bud and Lou are the owners of the amusement park Kiddieland. Bud, a compulsive gambler, gets in trouble with the mob, and Lou finds himself struggling to keep his adopted children. When Bud is forced to make a shady deal, Lou tries to arrange a deal with the DA, but winds up framed for murder.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
When maladjusted orphan Jesse vandalizes a theme park, he is placed with foster parents and must work at the park to make amends. There he meets Willy, a young Orca whale who has been separated from his family. Sensing kinship, they form a bond and, with the help of kindly whale trainer Rae Lindley, develop a routine of tricks. However, greedy park owner Dial soon catches wind of the duo and makes plans to profit from them.
After a Tibetan boy, the mystical Golden Child, is kidnapped by the evil Sardo Numspa, humankind's fate hangs in the balance. On the other side of the world in Los Angeles, the priestess Kee Nang seeks the Chosen One, who will save the boy from death. When Nang sees social worker Chandler Jarrell on television discussing his ability to find missing children, she solicits his expertise, despite his skepticism over being "chosen."
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?