Such Hawks Such Hounds explores the music and musicians of the American hard rock underground circa 1970-2007, focusing on the psychedelic and '70s proto-metal-derived styles that have in recent years formed a rich body of unclassifiable sounds.
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Such Hawks Such Hounds: Scenes from the American Hard Rock Underground
Such Hawks Such Hounds explores the music and musicians of the American hard rock underground circa 1970-2007, focusing on the psychedelic and '70s proto-metal-derived styles that have in recent years formed a rich body of unclassifiable sounds.
2008-03-01
7.7
Three unsuspecting heroes will rise to the peak of rock and roll stardom, only to face the most difficult challenge possible. They will conquer the airwaves via television and radio. They will encounter many strange and wonderful characters along the way. They will show the world what life is like when you live without boundaries!!! - jerkbeast.com
Architecture through the cinematographic lens. The visual fusion between the third and the seventh arts. The Third & The Seventh is a full-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces.
A group of yuppies fight over a group of office stooges for the control of a shoe factory.
An American pilot is sent to a Chinese province to teach a crew of would-be pilots how to fly war planes against the Japanese during World War II.
Set in the small town of Devil's Gate, North Dakota, the film examines the disappearance of a local woman and her young son. Schull plays an FBI agent who helps the local sheriff search for answers. Partnering with a deputy , they track down the missing woman's husband and find that nothing is as it seems.
20 years after three teenagers disappeared in the wake of mysterious lights appearing above Phoenix, Arizona, unseen footage from that night has been discovered, chronicling the final hours of their fateful expedition.
Mystery writer Grace Miller has killer instincts when it comes to motive - and she'll need every bit of expertise to help solve her sister's murder.
Abraham and his female friend Álex have a close relationship; they share both secrets and fears. When Abraham starts going out with Anchi, he begins to distance himself from Álex, who gradually dives into a living hell where she encounters strange apparitions, nightmarish visions and extreme situations.
Flash Back 2012 is Minmay's farewell concert. Featuring some of her best songs, the music is performed over various scenes and events taken from the first Macross television series as well as Macross: Do You Remember Love film. Also included is a newly animated closing sequence showing the launch of Misa's colony vessel, the Megaroad-01, into space.
New Mexico, present day. Brian and Lukas are off to the desert to join a kegger party and to celebrate Lukas’ victory in a motocross competition. His winning prize includes meeting The Deathinator, the biggest action star in the world. The party gets started under the hot desert sun, but Brian isn’t in the mood, so he wanders off and is soon joined by his friend, Lukas. They discover something strange in the desert which leads them into a secret military laboratory, where they discover the disturbing truth of what the government has been doing. Secret experiments on ants and spiders using DNA found in a meteorite which fell to Earth in 1951 has given birth to mutated giant ants which have overrun the facility. Now, it's up to Brian and Lukas to save the world from a giant ant invasion!
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
Elite Bangladeshi CIA agent Masud Rana – codename MR-9 – teams up with an American CIA operative to bring down an international criminal organization headed by a ruthless businessman.
Two teenage friends spend their summer break preparing for the sexual conquests they hope to experience. That is, until one of the boys is visited by his older, more sexually aggressive cousin, Azucena. Ushering her naïve cousin into the world of sex could take more work than Azucena realized.
Bea is a successful architect who lives in Barcelona (Catalonia, northeast to Spain) with her boyfriend and boss, Víctor, a CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions due to the alcohol she drank, Bea makes a meeting between Víctor and Rebecca. When to the next day she wakes up, Víctor proposes to wed Bea and she accepts, but after she arrives to the job, Bea learns about a videotape where Víctor and Rebecca make the love in a car that it's in all TV channels. In front of all CEOs during a full meeting, Bea slaps Víctor and destroys her design, being fired from the job. Looking for a break, she travels her natal coastal town, Santa Clara, just to discover that her rest isn't so easy as it seems: her eccentric, free-spirited and eternal smiling mother ...
A factory worker known for his tough attitude and for fighting for workers' rights starts losing credibility when friends and co-workers see him helping a young gay man.
Mystery Inc. is summoned to investigate occurrences in a haunted villa, where a black knight terrorizes anybody who tries to get close to treasure hidden by the former owner of the building.
Hana spends twenty years suppressing a maleficent curse that was placed upon her bloodline, only to have a family member knowingly release it forcing her to kill or to be killed.
Returning to his homeland after years of slavery, a Norman prince seeks revenge on his father's murderer – his ruthless uncle, Earl Durant. Gaining the trust of a band of exiled farmers, he leads them into battle against Durant, exploiting them in his inexorable quest for vengeance. As one by one they are slaughtered in the brutal battle, will the prince sacrifice everything an everyone to fulfil his quest for blood?
Arsenic-laced water has poisoned a 15 year old boy from a small, rural village in Cambodia.
After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.
This haunting and beautifully formed documentary is a meditation on the life of Egyptian screen legend Soad Hosni, who starred in eighty-two feature films between 1959 and 1991. Hosni’s mysterious death in London in 2001 sent shockwaves through the Arab world, and this is the first film which look into her life and work. Using filmic montage, director and video artist Rania Stephan reveals the diverse modes of female representation embodied in Hosni's charismatic roles, and creates an ebullient picture of the iconic actress who captivated the modern Arab imagination.
Five women musicians are brought together by their love for singer Dolly Parton. They all have dreams for their futures, but they are also burdened by their painful pasts. During a series of tribute concerts a warm friendship develops which leads to in-depth descriptions of the women's life stories.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.
‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.
Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.
This documentary examines the musical tastes of Puerto Rico's youth. The terms "cocolos" refers to those who prefer salsa music, and "rockeros" to those who prefer rock music. Through interviews and an array of musical settings, the film explores the young people's feelings in a humorist yet serious manner, bringing to the forefront issues of biases and national identity inherent in this innocent yet very powerful form of social entertainment.
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
Dulac’s three 1929 “abstract” films, Disque 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a “pure” or “integral” cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Disque 957, is conceived of as a “visual impression […] in listening to Frédéric Chopin’s Preludes n. 5 and 6”. Its title and its opening shot of lightplay on a spinning record not only announce the film’s dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller’s serpentine dances. —Avant-Garde Film Festival
Kuxa Kanema: The Birth of Cinema is a 2003 documentary by Margarida Cardoso on the National Institute of Cinema (INC), created by President Samora Machel following the 1975 independence of Mozambique.
The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein's Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York. Meron felt that if the telecast were successful, the concept could become "another kind of entertainment that can exist on TV." By her request, Underwood's casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.
“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.