The Last Season(2014)

Monkey Business(en)

Research chemist Barnaby Fulton works on a fountain of youth pill for a chemical company. One of the labs chimps gets loose in the laboratory and mixes chemicals, but then pours the mix into the water cooler. When trying one of his own samples, washed down with water from the cooler, Fulton begins to act just like a twenty-year-old and believes his potion is working. Soon his wife and boss are also behaving like children.

Bride of Frankenstein(en)

Dr. Frankenstein and his monster both turn out to be alive after being attacked by an angry mob. The now-chastened scientist attempts to escape his past, but a former mentor forces him to assist with the creation of a new creature.

Bud Abbott and Lou Costello Meet the Invisible Man(en)

As novice detectives, Bud and Lou come face to face with the Invisible Man.

Fantozzi to the Rescue(it)

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

The Isle(ko)

Mute Hee-Jin is working as a clerk in a fishing resort in the Korean wilderness; selling baits, food and occasionally her body to the fishing tourists. One day she falls in love with Hyun-Shik, who is on the run from the police, and rescues him with a fish hook when he tries to commit suicide.

Buddies(en)

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

Rooster Cogburn(en)

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

The Second Tragic Fantozzi(it)

The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.

No End(pl)

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

Jeremiah Johnson(en)

A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.

Boot Hill(it)

Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers

The Wolf Man(en)

After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.

The Road Home(zh)

Prompted by the death of his father and the grief of his mother, a man recalls the story of how they met in flashback.

Cat Ballou(en)

A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.

Waking Ned(en)

When a lottery winner dies of shock, his fellow townsfolk attempt to claim the money.

Exterminator 2(en)

The flamethrower-wielding vigilante John Eastland returns to rid New York of a drug lord and his gang.

Two Evil Eyes(en)

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

Fantozzi Retires(it)

After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.

Revenge of the Pink Panther(en)

Chief Inspector Jacques Clouseau is dead. At least that is what the world—and Charles Dreyfus—believe when a dead body is discovered in Clouseau's car after being shot off the road. Naturally, Clouseau knows differently and, taking advantage of not being alive, sets out to discover why an attempt was made on his life.

Viva! Django(it)

Django is on the trail of some renegade outlaws who raped and killed his wife. En route, he rescues a horse thief from an impromptu hanging. He discovers the man knows who committed the murder. The men team up and head west for revenge.

Secret Teutoburg Forest(de)

In northern Germany, the Teutoburg Forest is home to many Germanic legends. Since the end of the 19th century, the statue of Hermann – known in Latin as Arminius –, hero of the Germanic people of the Cheruscans, has watched over the vast Teutoburg Forest. Did this warlord really allow the Germans to repel the Romans two thousand years ago? A few kilometers from the statue stands an impressive rock formation called Externsteine. Have these steep cliffs kept traces of ancient Germanic civilizations?

The Ventures: Stars on Guitars(en)

Documentary film on the #1 instrumental rock group in the world, The Ventures. The story of their rise to fame in the 1960s right up to now, as they celebrate their 60th anniversary of playing the best guitar-rock of all time.

De brand van Leuven(en)

At the end of August 1914 Leuven became the victim of blind rage war. Virtually the entire city center was systematically destroyed by the Germans. War journalist Rudi Vranckx explains what happened.

These Are My People...(en)

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

The Baby Formula(en)

Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.

Remembrance of Things to Come(fr)

A personal history of France, told through photos by French photographer Denise Bellon.

Genesis(en)

An African narrator tells the story of earth history, the birth of the universe and evolution of life. Beautiful imagery makes this movie documentary complete.

Paris Is Burning(en)

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

I Don't Know(en)

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

We the Economy: 20 Short Films You Can't Afford to Miss(en)

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

How Not to Be Seen: A Fucking Didactic Educational .MOV File(en)

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.

God's Girls(en)

God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.

Kicking It(en)

Kicking It chronicles the lives of seven players taking a once in a lifetime opportunity to represent their country at the Cape Town 2006 Homeless World Cup. Najib from war torn Afghanistan; Alex from the slums of Kenya; Damien and Simon from the drug rehab clinics of Dublin, Ireland; Craig from the streets of Charlotte, North Carolina; Jesus from the overflowing public shelters of Madrid, Spain,

La Babel des enfants perdus(fr)

Shadowlands(sv)

Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".

Red Lines(en)

In 2011, Syria's Bashar al-Assad answered his nation's demands for freedom by launching a brutal war against his own people. While the U.S. drew red lines for intervention, Assad ramped up the attacks, starving and killing civilians and children, including the use of chemical weapons, leveling cities, targeting journalists and blocking humanitarian aid to millions of victims. Abandoned by the outside world, individual activists stepped in to fill the roles of banned journalists, international aid agencies and feckless foreign governments. Red Lines tells the story of two such activists, who despite overwhelming obstacles, attempt to establish democratic enclaves in their devastated homeland.

Au chic Resto Pop(fr)

In a poor eastern quarter of Montreal, a restaurant is dedicated for the poors only: le Chic Resto Pop. It used the surplus of some merchants to offer cheap meals. The young people who work there for free get a lot of satisfaction in their work in spite of the difficulties. The movie is build around six songs written by them.

For a Song(fr)

Welcome to the magnificent yet unheralded world of choral music. A world inhabited by exceptional beings who have the capacity to experience joy from a single musical note. Individuals who partake in remarkable efforts to unveil that dream of beauty which preoccupies each and every one of them. You may notice them singing anywhere and everywhere: at the wheel, in the shower, even in the kitchen. But above all, they sing together, men and women of all ages and various backgrounds, transformed by the radiant glory of song, and united under the banner of L'Ensemble vocal d'Outremont. Music is at the centre of their universe and gives them the intense feeling of belonging to the human race. Especially as the big night approaches and the collective dream of perfect harmony is but a breath away.

The Illusion(es)

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Janie's Janie(en)

The Newsreel collective’s JANIE’S JANIE breaks with the group’s usual format for a more personal approach, following a woman’s journey to self-determination after years of mental and physical abuse; or, as Janie says, “First I was my father’s Janie, then I was my Charlie’s Janie, now I’m Janie’s Janie."