The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.
The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.
1939-07-16
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Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
Dawn Of The Moroccan Fitness is an inspiring documentary by Abdelillah Habbat Idrissi. Through engaging interview formats, Idrissi imparts valuable lessons to Moroccan youth, showcasing that perseverance and finding the right path are timeless pursuits. A heartfelt thank you is extended to the individuals who shared their testimonies in the documentary. Their presence adds depth and authenticity to the narrative, creating a powerful connection with the audience. Additionally, gratitude is expressed to all those who contributed directly to the realization of this documentary. Their efforts and support played a crucial role in bringing "Dawn Of The Moroccan Fitness" to light, making it a meaningful and impactful exploration of life's journey.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.
The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Three elders return to their homeland seventy years after being forced to leave it because of the Spanish Civil War.
This documentary features the story of Jules Paivio, the last living Canadian volunteer of the infamous Mackenzie-Papineau Battallion of the “International Brigades”. When Jules left from his home near Port Arthur (Thunder Bay), Ontario, his father, a famous Finnish poet, wrote a lasting lament: “To My Son In Spain”. In 1936-37, 1700 Canadians volunteered to fight with the Spanish people against a fascist coup d’etat led by elements of the Spanish Army. Backed by Musselini and Hitler, the fascists were bent on overthrowing Spain’s democratically elected socialist government and replacing it with military and church rule. It could be argued this conflict marked the true beginning of what would become World War II.
A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.
Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.
Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.
The military uprising of 1936 tried to eradicate all traces of the social transformation that had brought the Republic. There were villages like Guímara, in the Valley of Fornela (León), whose almost unanimous support to the Republic supposed a hard and systematic repression. This isolated village, of about 85 neighbors, suffered one of the most painful forms of punishment: deportation of adults to concentration camps, separating them from their minor children. In this documentary it is told the chronicle of this terrible repression that sought to subdue and subjugate the population through fear, trying to destroy family ties, solidarity networks between the people and personal and collective subsistence economy. The memory of lullabies from their mothers was the echo that reached their children from the forced exile who lived their elders.
t narrates the repression suffered by the local population of Fuentes de Andalucía after the military coup of 1936.