
An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision.

An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision.
1962-06-01
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1.0Freely adapted from a story by Marcel Schwob in 'Screw imaginary' and deeply focused on the thought of Georges Bataille, the film wants to give substance to Clodia tragic affair, the Roman noblewoman loved by Catullo and made him immortal in his ways, with the Lesbia pseudonym.
5.6Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
0.0A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
7.0Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
0.0Rosso Fiorentino's painting "The Deposition of the Cross" comes to life. The Christ is gradually removed from his cross by the biblical characters who surround him.
4.8An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
4.2Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
0.0This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...
10.0Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
10.0Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?
0.0An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.
6.4A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
10.0Say Om as you reach home only to realize you never really left/stopped saying Om.
4.8Italian immigrant kidnaps a wealthy British woman, and they fall in love.
3.0A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
0.0Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.