Three of Many(1961)

Was lebst Du?(de)

La Meilleure Façon de tracer(fr)

Jobs for All!(sv)

A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.

Open files(ro)

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Font Men(en)

You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.

Like It Is(en)

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

The End of the Endless(pt)

"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.

Gaza(en)

GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.

Afganistanbul(tr)

Mio(en)

Mio blir som barn skickad till Sverige för att tjäna ihop pengar till sin familj i Thailand. Men det går inte som föräldrarna planerat. Under tre år följer regissör Jonas Embring Mio och hans gäng på Henriksdalsberget utanför Stockholm. De lever i en hård vardag med kriminell identitet och våld. Till sist bestämmer sig Mio för att förändra sitt liv.

Los posibles(es)

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Island Shunters(en)

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

Lord of the Toys(de)

Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.

The Happy Worker - Or How Work Was Sabotaged(en)

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Endangered Species(en)

We have volunteered for the Earth Conservation Corps to restore the Anacostia river and the Washington wasteland where we live and often meet an early violent death. We are striving to return our nation's bird,the bald eagle, to our Nation's Capitol. If the eagles survive maybe we can too. We began filming this documentary in 1992 to show people our America. "Endangered Species" is our story. - Written by Antoine Woods

Haus und Hof(de)

Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.

Dans les bureaux(fr)

The gestures, the words, the rites of a day like any other in the offices of a large insurance company.

Tag für Tag(de)

36 year old welder Karin works at an agricultural factory in Mecklenburg, Germany.

Junge Leute(de)

A documentary about young people just starting their higher education and their professional life.

The Last Day's Work(en)

Work is becoming more service oriented and more and more services rely upon us doing harm to each other. In most people's lives, work operates as a degrading and debilitating force. It disables people's critical and perception capacities. Unless workers assume responsibility for evaluating the meaning and implications of the work they do, there will never be the capacity to redirect the modern work institutions from their courses of violence and exploitation. Built in seven parts which correspond to each day of the week, this film studies the relationship between work being done and the nature of the people that are doing it.