The Perfumed Garden(2000)

My Brother the Terrorist(en)

In this sequel to "My brother the Islamist," we continue to follow Robb Leech as the tries to understand his stepbrother's journey and transformation from middle-class boy to convicted terrorist.

Goiânia's Punk: Trans Voices(pt)

Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?

Do I Sound Gay?(en)

What makes a voice “gay”? A breakup with his boyfriend sets journalist David Thorpe on a quest to unravel a linguistic mystery.

Promised Paradise(en)

Using performance to inspire critical reflection, Promised Paradise delivers fascinating and revealing insight into the social and religious undercurrents dominating Indonesian society today and the Muslim world at large.

102 Years in the Heart of Europe: A Portrait of Ernst Jünger(de)

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.

Big Zuu Goes to Mecca(en)

Chef and rapper Big Zuu makes a pilgrimage to Mecca on a personal spiritual journey to try and understand more about his faith and what it means to be 'a good Muslim'.

Fitna(nl)

A short film in which Quran verses are shown alongside images from terrorist attacks.

Paradoxy života a smrti Martina Kukučína(sk)

Lenz Elegy(fr)

A Short film by Christophe Bisson

Escape to Life: The Erika and Klaus Mann Story(en)

This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.

The Times That Are(fr)

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

Three of Many(de)

Böttchers film showcases three young workers who learn how to paint, draw, and make sculptures out of stone. The film generated a storm of mistrust, as there is no leading communist party, and the three individuals live blithely and independently of the official dictates. It became one of the first DEFA documentary productions that were not allowed to be shown.

l'Art de vieillir(fr)

HBO Presents the Best of Sex Bytes(en)

If you thought computers were a turn-off, then just see how they can be a turn-on! With sound and vision now available on the internet, the world of home computers is heating up. "The Best of Sex Bytes" shows you what people share in cyberspace from the pleasures of food and sex, and artists who bodycast human sculptures, to the pleasures of public nudity, foot fetishes, on-line erotic dancing, sex magic and more. Plus meet a rock band who really turn up the heat on stage: The Impotent Sea Snakes.

The Goat Who Climbed to Heaven(lv)

This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.

The Codes of Gender(en)

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Peret: The King of the Gipsy Rumba(ca)

An account of the personal and artistic life of the Spanish singer Peret (1935-2014), the artist who imaginatively mixed various musical styles, such as mambo, tanguillo and rock, to create the gypsy rumba. An epic adventure, from a humble neighborhood of Barcelona to the biggest stages of the world.

Strange way of living(en)

At glance at the prestigious writer Enrique Vila-Matas.

Changes(is)

Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik. When a decision is made to close down the institution, their life takes an unexpected turn and they discover a new side to life and to themselves.

Kids(de)

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.