Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Herself
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
2012-01-01
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Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.
DIS-EASE is a feature-length documentary about how we imagine disease, and how that affects what we do when we encounter illness, outbreaks, doctors, treatments, and disability in real life. It dives deep into the weird, wild archives of medical imaging, public health messaging, and pop-culture outbreak narratives to understand how ideas have moved between science, science fiction, and political ideology over the past century. (Yes, this is a film that covers both antibiotic resistance and the persistence of zombie apocalypse films.) Ultimately, DIS-EASE is a provocation to re-think how we define both the "public" and "health" in public health - who is included, what counts as care, and what it means to be sick or well in a world perpetually on the brink of collapse.
Exploring the transformative impact of artificial intelligence in an industry of imagination, “ARTIFICIAL: Media Production in an Age of AI” delves into how AI tools are currently revolutionizing various stages of media production and examines the balance between technological advancement and human creativity, attempting to spark conversation about the future of storytelling in an age of progress. It also addresses the possibility of government regulation and the broader ethical concerns implicit in the immense capabilities of AI technology. The documentary integrates extensive research, survey results, and insightful interviews with industry professionals.
Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.
Wildlife photographer Richard Sidey joins an international team of whale research scientists in Antarctica to document their work on how Humpback Whales are adapting to a changing ocean.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
When diagnosed with terminal cancer, a world renowned trumpet player uses music to give hope from concert stages to mountain tops, proving art is essential to survival.
Discover how the 1900 outbreak of bubonic plague set off feat and anti-Asian sentiment in San Francisco. A fascinating medical mystery and timely examination of the relationship between the medical community, city powerbrokers and the Chinese-American community, Plague at the Golden Gate tells the gripping story of the race against time to save San Francisco and the nation from the deadly plague.
The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.
A respected documentary maker hears from a friend that his long term depression has been helped after watching a video entitled "Food matters" and following a nutritional protocol involving high doses of vitamins, as outlined by a featured speaker in Foodmatters, by the name of Andrew W Saul. Beatie visits Saul and is given an outline of Orthomolecular Medicine, the protocol envisaged by Nobel prize winners and eminent scientists.
Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.
The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.
As the use of plastic has gained ground in our lives over the years, there has been an inexplicable increase in a number of diseases and disorders amongst the population. In this film as part of the Why Plastic? series, we meet leading researchers looking into the reasons for these disorders. We also follow case studies of people suffering from various health conditions thought to be caused by exposure to certain every day materials including plastic. Are these people the victims of unfortunate coincidences - or is there an explanation?
The portrait of a daughter and her father, who was put into an artificial coma for a long time, between dreams and vague visions, and now returns home to recover from the disease that has spread worldwide: Corona. He undergoes various therapies that test his determination to live with the pain, exhaustion and tension.
Kazuo Nishii, renowned editor and photography critic, died in 2001 of stomach cancer. Two months earlier he contacted Naomi Kawase, whose works he admired, to document the remaining weeks of his life. Kawase visits him in the hospital and films the progression of his sickness and the conversations between the two.
Rat Brain is a documentary that highlights Dr. John D. Douglass and his team's research at Seattle Pacific University on chronic stress' neurological impact, striving to uncover its link to suicidal behavior. Their work navigates ethical dilemmas while aiming to showcase vital insights into mental health and suicide prevention.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.