This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.
himself
herself
himself
This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.
2001-03-01
0
... i want to be a cyborg
Philippe Ginestet, 66, is the owner of the GIFI and TATI chain of stores. With his fortune estimated at 2.3 billion euros, he is the 27th richest Frenchman. But within the closed club of the great French bosses, he is not the only one. Self-made man, French incarnation of the American dream, his management methods are atypical: motivation seminars organized in his luxurious chalet in Megève, poker tournaments between employees, trips to Las Vegas... A corporate culture pushed to the extreme.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
As the band Placebo approach their 20th Anniversary they were given a unique opportunity to play ten cities throughout Russia. In a time when Russia was at the forefront of the world’s current affairs, little was actually reported outside Russia about the internal culture of the country. Fronted by Placebo’s Stefan Olsdal, the film explores the alternative cultures that are present within Russia’s major cities. As the tour travelled through the country the band went out and met various artists, architects, animators and musicians, finding out about the alternative creative culture and celebrating all they have to offer. From Krasnoyarsk in Siberia to St. Petersburg on the Baltic Sea, Placebo: Alt.Russia takes you on the band’s journey through Russia, meeting great characters on the way, investigating the alternative culture in Russia, and taking in the raw emotions of Placebo’s powerful concerts.
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
For years, artist Drew Friedman has chronicled a strange, alternate universe populated by forgotten Hollywood stars, old Jewish comedians and liver-spotted elevator operators. Drew Friedman: Vermeer of the Borscht Belt is an in-depth documentary tracing artist Friedman's evolution from underground comics to the cover of The New Yorker. The film, directed by Kevin Dougherty, features interviews with Friedman's friends and colleagues, including Gilbert Gottfried, Patton Oswalt, Richard Kind, Mike Judge, Merrill Markoe and many others.
The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.
On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
Widely considered an important milestone in Indian Architectural history, the Kanade brothers are a testimony of how life and work can coexist with honesty as the fundamental driving factor. The film ‘Kanade’ gives an insight into the journey and experiences of Shankar & Navnath Kanade as architects and teachers.
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee.
In the middle of the French Alps, some adventurers balance themselves on slacklines high above the ground.
Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.