Blum(1983)

Vukica Djilas – Home Movies(sr)

It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.

Erna(sh)

A two-minute poetic micro-manifesto of ecological and social warning about the endangerment of people and the world's nature in the 1960s.

Rey(es)

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

We Are Without(en)

Our hands cannot resurrect. Set amongst the shadows of a grainy, dystopian landscape, We Are Without is a visual response to life, death and self-delusion...

Edible Water Bottles(en)

Psychotropical(en)

After Charlie takes an unknown psychotropic drug, she and her secret lover are transported to a strangely sinister paradise.

Delimitation(cs)

A dancer moving through a city seeking a space in which to exist.

Memory Vague(en)

Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.

Islas entretejidas: Puerto Rico y Córcega(es)

The cultural and architectural phenomenon of the Corsican in Puerto Rico, and the influence of the Corsican immigration in this territory.

Serenity(el)

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

The Liberal War(en)

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.

Untitled S/T(en)

Super 8 experimental film by Claudio Caldini.

Duration-Landscape: Road(gl)

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

Duration-Landscape: River(gl)

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

Duration-Landscape: Cornfield(gl)

The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.

Distance-Landscape: Football Field(gl)

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Distance-Landscape: House(gl)

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Distance-Landscape: Meeting Between Men(gl)

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Distance-Landscape: Fishermen in the Same Sea(gl)

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Theodore of the Absurd(en)

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.