diaenoxe guili guili(2014)

You Take Care Now(en)

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.

Life Eternal(en)

This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.

Square(cs)

Matiz(pt)

Atman(ja)

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

Planet Sigma(fr)

On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.

White Tape(en)

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

Sonata for Pen, Brush, and Ruler(en)

From 1967-71 Barry Spinello made films without camera or tape recorder by hand drawing both sound and picture directly onto clear 16mm leader. His interest and education (at Columbia) was in music, painting, and poetry. His effort was to merge these three: “to squeeze sound and picture out of the same tube – to weave a cloth with warp as sound, woof as picture, and meaning the fabric itself."

Chance Encounters With Oxygen(en)

A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.

TENSAI BANPAKU(ja)

The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.

Sometimes I think about things, and sometimes I get sad.(en)

The project explores the inner struggles of the artist, the fears, anxieties and thought patterns that, to some extent, drive their existence. The artist's voice, sporadically reciting diary-like entries, guides you through a world built as a visual representation of their emotions. The resulting experience is surrealist in nature, but also deeply intimate.

Black Cat(ja)

Blending psychedelic animation with haunting music. Centred around a black cat, it explores themes of misfortune and the uncanny through dreamlike visuals and Maki Asakawa’s melancholic song, "Fushiawase to Iu Na no Neko".

Chaos Core(en)

Doodles keep dripping down from the mouth of an idiot.

Sophie's Place(en)

Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation."

Crossing Victoria(en)

An experimental animation that recalls a treacherious, winter journey across a Montréal landmark.

Head Rag Hop(en)

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.

Ars gratia artis(la)

A story of an artist entertainer who swallowed razors, glasses, records, light bulbs, nails, forks and everything else hard to swallow. Cannibalism and auto-cannibalism included.

Automatic Writing(en)

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

The Birth of the Robot(en)

This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

welcome_home.exe(en)

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.