The Voyage of the St. Louis(1995)

El Batería(es)

Cuban drummer Elvis García reflects on his journey from Havana to Miami, struggling to make his way in the American city as a professional musician.

Hitler's American Business Partners(en)

Henry Ford, the legendary automobile manufacturer, James D. Mooney, the GM manager and Tom Watson, the IBM boss, were all awarded the Grand Cross of the German Eagle, the Nazis' highest distinction for foreigners, by Hitler for their services to the Third Reich. At this time, in 1937 and 1938, Hitler's armaments industry was running at full speed. The German subsidiaries of these American companies - Opel, the Ford Werke AG and Dehomag - had willingly allowed themselves to be integrated into the "Führer's" war preparations. The film concentrates on the companies which were indispensable for Hitler to wage war. The documentary is supported by new archive material, as well as interviews with contemporary witnesses and experts.

Secundaria(en)

Ballet in Cuba is a national institution, revered by all. It is also a way to climb out of poverty and achieve a better life. Yet for one young ballerina, even that isn't enough.

Germany: A Summer's Fairytale(de)

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Muerte al invasor(es)

Short documentary about Cuba's resistance to American invasion.

Recapturing Cuba: An Artist's Journey(en)

After fleeing Cuba with his family when he was 7, Dallas artist Rolando Diaz returns to Havana to revisit his old neighborhood and learn more about the contemporary art scene in the city.

Goodbye Dear Love(en)

A personal journey about the search for identity and memory among Sephardic Jews with roots in Cuba.

Jean-Sébastien Bach : "Jésus demeure ma joie"(fr)

Crucible of Empire: The Spanish-American War(en)

Crucible of Empire demonstrates how and why the Spanish-American War constitutes such an important milestone in U.S. history. This program examines the events and attitudes that led to war, followed by an exploration of the conflict and its outcome. Early film footage and stills of battle scenes, plus rich visuals, a compelling story, and intriguing analogies to current foreign policy make Crucible of Empire a riveting documentary.

The Making of 'The Last Laugh'(de)

This movie was featured on the DVD release of Der letzte Mann in 2004 in Germany.

Heading For Glory(en)

The 1974 finals in West Germany saw the emergence of "Total Football" in the shape of the classy Dutch led by the legendary Johan Cruyff. The Dutch swept all before them until they came up against the solid hosts in the final. Beckenbauer led West Germany to a tense 2-1 victory.

The Accordion’s Voyage(es)

'The Accordion's Journey' narrates the story of three Colombian musicians. Year after year they participate in the world's largest competitive accordion festival, held in Valledupar, Colombia. But they never win. One day a letter arrives, inviting them to play alongside the legendary Hohner Accordion Orchestra in Trossingen, Germany, the birthplace of the 'Corona', Colombia's most popular accordion. It's the first time abroad for our three heroes and they discover a very different culture, a first encounter with snow and ice and make new friends. But will their adventure help them in winning the accordion festival back in Valledupar?

Cinema's Exiles: From Hitler to Hollywood(en)

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

Max Bill: The Master's Vision(de)

The film about Max Bill (1908-1994) moves between the dynamic fields of art, aesthetics and politics. Max Bill was probably the most important swiss artist of the 20th century and the most famous student to come out of the legendary Bauhaus in Dessau. He was an ardent anti-fascist and all his avant-garde work as an artist, sculptor, architect and typographer showed a social responsibility and environmental awareness right through his life. His views have become incredibly topical.

The Lost Son of Havana(en)

After 46 years in exile, former major league baseball star Luis Tiant returns to Cuba, where he encounters unexpected demons and receives unexpected gifts from his family.

Master of the Universe(de)

He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.

My House Without Me(pl)

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

Maestra(en)

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.

Children of the Revolution(en)

Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?