A short documentary on the highly influential Los Angeles club night, The Low End Theory
A short documentary on the highly influential Los Angeles club night, The Low End Theory
2014-11-19
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Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.
The feature documentary follows women of all walks of life, all ages and ethnic backgrounds, as they shed trauma, body image shame, sexual abuse and other issues locked in their bodies, and embark on a journey to reclaim themselves. The film also gives a rare window into the world of Pole artistry and expression.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
This French-produced 1996 documentary is an hour-long piece covering the history of techno music from Detroit to Berlin Sheffield.
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
Currently all the rage with hipsters worldwide, Chicago Juke music has roots that run deep. The film chronicles the birth and evolution of a genre over 25 years. A fascinating watch!
A documentary that explores the challenges that a life in music can bring.
"The 1984 Los Angeles Comedy Competition with Host Jay Leno," the first stand up comedy special featuring Jay Leno with 25 minutes of never-before-seen footage of Leno's classic comedy club. act that made him a star. The show took an "American Idol" approach to stand-up comedy with Jay Leno hosting a competition that features competing stand up comics Ray Combs, Howie Gold, Jeff Gerbino and Steve Oedekerk performing in front of a live crowd and a panel of celebrity judges that includes funnyman Fred Willard.
A film by Lee Rhoads uses unique archival photographs and footage of Los Angeles's love affair with automobiles. In the opening scene, a classic glimpse of Los Angeles and its car owners circa the 1970s is offered, and it deftly relates the transit history of the Los Angeles basin, beginning in the late 1800s.
Tongue-in-cheek look at 20-something singles clubbing and partying in L.A. Voice-over narration, charts and graphs, and visits to a research laboratory punctuate the story of a single night when groups of friends go out, drink alcohol, take drugs, dance and talk, and look for someone to go home with.
During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band's journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.
London-based artist and photographer Muzi Quawson examines the lives of people situated at the fringes of the mainstream. She is drawn to individuals who tend to assert their identity via a blending of references informed by cinema, music and the history of popular culture. Doll Parts functions as a quiet study on the nature of identity.
The Metalheadz Documentary is an intimate and immediate account of a Drum & Bass label poised for world domination. DJs and producers talk openly of the artistic freedom they enjoy, how the label has evolved to represent such a diverse musical scene and why moving forward and pushing the boundaries is so vital. These names have created a global phenomenon and here talk for the first time of how it was achieved, where it's at and what the future holds.
It was 1906. "Get Music on Tap Like Gas or Water" promised the headlines, and soon the public was enchanted with inventor Thaddeus Cahill's (1867-1934) electrical music by wire. The Telharmonium was a 200-ton behemoth that created numerous musical timbres and could flood many rooms with sound. Beginning with the first instrument, constructed in the 1890's, and continuing with the installation of the second instrument at Telharmonic Hall in New York, the rise and fall of commercial service, the attempted comeback of the third Telharmonium, and ending with efforts to find a home for the only surviving instrument in 1951, this documentary provides a definitive account of the first comprehensive music synthesizer.
'Green Lights, Blue Skies' features twenty tracks to make you want to head for the open road. Many of these videos, promotional clips and performances have never been included on a DVD. Bonus features include an introductory film by DJ and broadcaster Gary Crowley, exclusive band profiles and a new 5:1 mix.
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.